playground:camera_help
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- | ====== Camera Help for nightly builds ====== | + | This page has moved to [[:camera help]] |
- | + | ||
- | This page is intended as source for the camera help files. Please don't include other stuff. | + | |
- | + | ||
- | ===== Audio ===== | + | |
- | + | ||
- | Manual audio controls. This menu is not available on Canon 600D / T3i. The | + | |
- | 600D/T3i already | + | |
- | possible | + | |
- | audio meters during recording. 5D2 and 600D have more audio controls | + | |
- | than any others, with 5D3 having very [[http:// | + | |
- | + | ||
- | + | ||
- | ==== Analog Gain ==== | + | |
- | + | ||
- | Gain applied to both inputs in the analog domain. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **0-32 dB** | + | |
- | + | ||
- | Analog does a great job of boosting the signal while retaining a low noise | + | |
- | floor and hence, [[http:// | + | |
- | external preamp, set this parameter as low as possible otherwise, set it | + | |
- | as high as possible without [[http:// | + | |
- | should be green). | + | |
- | + | ||
- | + | ||
- | ==== DigitalGain ==== | + | |
- | + | ||
- | In-camera | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Left Digital Gain** 0 to 36 dB in 6 dB increments | + | |
- | + | ||
- | **Right Digital Gain** 0 to 36 dB in 6 dB increments | + | |
- | + | ||
- | **AGC** ON or OFF | + | |
- | + | ||
- | Applying digital gain in-camera is not recommended as any nonzero value reduces | + | |
- | audio quality and you can achieve the same effect with more control in | + | |
- | post, but it can serve as an evaluative tool on set. You can apply | + | |
- | digital gain in 6dB increments to the left and right channel | + | |
- | independently. AGC is auto mode and is applied only in digital domain. | + | |
- | It overrides digital gains, but you can still adjust analog gain. | + | |
- | + | ||
- | + | ||
- | ==== Input source ==== | + | |
- | + | ||
- | Mic configurations. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **internal mic** your camera' | + | |
- | + | ||
- | **L:int R:ext** | + | |
- | + | ||
- | **external stereo** | + | |
- | + | ||
- | **L:int R: | + | |
- | + | ||
- | **Auto int/ext** camera detects if a mic is plugged in. Int is dual mono, ext is stereo. | + | |
- | + | ||
- | Balanced audio allows for very long cable runs without interference. Usually | + | |
- | balanced mics have three pin XLR connectors and it is very easy to put | + | |
- | together an XLR to Canon mic input cable. Balanced allows us to use such | + | |
- | pro mics with our little Canons and this is a very welcome surprise for | + | |
- | audio guys. You can feed an [[http:// | + | |
- | camera giving you the option of using higher quality mics, although this | + | |
- | is not [[http:// | + | |
- | + | ||
- | + | ||
- | ==== Wind Filter ==== | + | |
- | + | ||
- | Digital high-pass filter. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **On or Off** | + | |
- | + | ||
- | Canon' | + | |
- | the wind filter has been known to mute external mics, so if you' | + | |
- | having that problem on an earlier build turn it off. [[http:// | + | |
- | Also see [[http:// | + | |
- | + | ||
- | + | ||
- | ==== Mic Power ==== | + | |
- | + | ||
- | Power for mics. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **ON** input impedance is 2 kOhm. | + | |
- | + | ||
- | **OFF** input impedance is 30 kOhm. | + | |
- | + | ||
- | Required for internal mic and certain types of external mics, but it reduces | + | |
- | input impedance. This setting is always ON when input source is either | + | |
- | internal mic or L:int R:ext. See[[http:// | + | |
- | power control thread. [[http:// | + | |
- | + | ||
- | + | ||
- | ==== Headphone Monitoring ==== | + | |
- | + | ||
- | Audio monitoring with headphones, using the A/V cable. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **On or Off** | + | |
- | + | ||
- | To use audio monitoring, you need a special cable: your Canon A/V cable | + | |
- | with a RCA - 3.5mm jack adapter a dedicated cable from Sescom or you may | + | |
- | solder it yourself (you will have to cut your A/V cable). Mobile phone | + | |
- | cables will not work; even if the connector looks similar, it's not | + | |
- | identical. You must use the original cable which came with your camera. | + | |
- | For details, see Audio monitoring HOWTO on Vimeo group. Disable this | + | |
- | setting if you are using a SD monitor. This feature is not available on | + | |
- | 600D/T3i. | + | |
- | + | ||
- | + | ||
- | ==== Output volume ==== | + | |
- | + | ||
- | Digital output gain for audio monitoring. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **0 dB** | + | |
- | + | ||
- | **2 dB** | + | |
- | + | ||
- | **4 dB** | + | |
- | + | ||
- | **6 dB** | + | |
- | + | ||
- | It does not have any effect on the internal camera speaker. For best | + | |
- | results, you should a pair of low impedance headphones, for example | + | |
- | Audio Technica ATH-M50 (38 ohms). With high-impedance headphones, you | + | |
- | may have to use a headphone amplifier like FiiO E5. | + | |
- | + | ||
- | + | ||
- | ==== Audio Meters ==== | + | |
- | + | ||
- | Display the input audio level. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | From -40dB to 0dB, meters become yellow at -12 dB and red at -3 dB. Audio meters are only displayed in movie mode. | + | |
- | + | ||
- | + | ||
- | ==== Speaker Volume ==== | + | |
- | + | ||
- | In-camera speaker. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **1 to 5** | + | |
- | + | ||
- | + | ||
- | ==== Beep, test tones ==== | + | |
- | + | ||
- | Customise camera sounds. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Enable Beeps** | + | |
- | + | ||
- | **Tone Waveform** | + | |
- | + | ||
- | **Tone Frequency** | + | |
- | + | ||
- | **Play test tone** | + | |
- | + | ||
- | **Test beep sound** | + | |
- | + | ||
- | + | ||
- | ==== MLV Sound ==== | + | |
- | + | ||
- | RAW video (MLV) now comes with audio! | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Sampling rate** 8 - 48kHz the basic quality of your audio, the higher the better. | + | |
- | + | ||
- | **Trace output** ON or OFF | + | |
- | + | ||
- | When MLV Sound is ON, a separate WAV file is generated at the framerate | + | |
- | determined by your FPS setting in Canon Menu. When FPS Override is used, | + | |
- | only the framerate of raw video is affected, the WAV file will remain | + | |
- | either 24fps or 30fps depending on the FPS setting in canon menu. It is | + | |
- | not possible to playback mlv sound in-camera. | + | |
- | + | ||
- | This menu is only | + | |
- | available when the mlv_snd module is loaded and active. See | + | |
- | [[# | + | |
- | + | ||
- | + | ||
- | + | ||
- | ===== Expo ===== | + | |
- | + | ||
- | Adjusting the exposure parameters. Most of these settings only work in Manual | + | |
- | (photo and video), and some of them work in P, Av and Tv too. | + | |
- | + | ||
- | + | ||
- | ==== WhiteBalance ==== | + | |
- | + | ||
- | White balance controls. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **White Balance:** Rated in Kelvin, manually adjust from 1500 to 15000K. | + | |
- | + | ||
- | **WBShift G/M:** Green-Magenta white balance shift. Useful for fluorescent lighting. | + | |
- | + | ||
- | **WBShift B/A:** Blue-Amber white balance shift. 1 unit = 5 mireks on Kelvin axis, according to this post. | + | |
- | + | ||
- | **Custom RGB multipliers: | + | |
- | + | ||
- | **Black level:** | + | |
- | This parameter is applied on RAW data, before applying white balance. | + | |
- | Adjust it if you have problems with green or magenta shadows. | + | |
- | + | ||
- | **Auto adjust Kelvin + G/M:** | + | |
- | In LiveView, ML will compute the white balance for the current scene, | + | |
- | using the center (200×200 pixels rectangle) as reference gray. | + | |
- | + | ||
- | The preferred method is manual White Balance, but when shooting raw video | + | |
- | this is more of evaluative tool as you have control of your WB later. | + | |
- | Best practice is to have a reference colour at the beginning of each | + | |
- | shot, with neutral grey being preferred to white as whites can blow out | + | |
- | and give you a false reading. | + | |
- | + | ||
- | + | ||
- | ==== ISO ==== | + | |
- | + | ||
- | Advanced ISO control. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Equivalent ISO:** Overall ISO rating | + | |
- | + | ||
- | **Canon analog ISO:** 100 to 3200 ISO at which the sensor is driven | + | |
- | + | ||
- | **Canon digital ISO:** Digital ISO is the process of pulling or pushing your analog ISO to affect detail. | + | |
- | + | ||
- | **ML digital ISO (DIGIC): | + | |
- | -2 to +7 EV Preferred to the Canon implementation, | + | |
- | negative values will reduce noise, but may cause color issues in | + | |
- | highlights. This feature | + | |
- | enables ISO 50, ISO 51200 and many other intermediate or astronomical ISOs. | + | |
- | + | ||
- | **Display Gain (night vision):** In photo mode, for previewing night scenes. | + | |
- | + | ||
- | **Highlight Tone Priority:** Increases dynamic range by 1 stop in movie mode. Use with negative ML digital ISO. | + | |
- | + | ||
- | **ISO selection: | + | |
- | + | ||
- | **Color coding: ** | + | |
- | * <color orange> | + | |
- | * <color green> | + | |
- | * <color red> | + | |
- | + | ||
- | ==== Shutter ==== | + | |
- | + | ||
- | Fine-tune shutter speed. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **1/31 - 1/3900** Without Expo.Override enabled | + | |
- | + | ||
- | **1/24 - 1/7900** With Expo.Override enabled | + | |
- | + | ||
- | In photo mode, Magic Lantern displays shutter values rounded to 2 | + | |
- | significant digits, so 1/48 may be displayed by ML as 1/50. This is not a | + | |
- | bug. In movie mode, shutter values are displayed with 3 decimal places | + | |
- | for example, in PAL mode, Canon uses 1/33.333 to avoid flicker. To use | + | |
- | shutter speeds normally not available in Canon firmware like 1/25 or | + | |
- | 1/8000 in movie mode, enable [[http:// | + | |
- | can be locked (perfect for video) in the Movie Tweaks section of the | + | |
- | [[# | + | |
- | menu, meaning you have to go into the ML menus to change it. | + | |
- | + | ||
- | + | ||
- | ==== Aperture ==== | + | |
- | + | ||
- | Adjust aperture. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | Requiring a chipped lens, when Expo.Override is enabled, you can adjust in 1/8 stop increments. | + | |
- | + | ||
- | + | ||
- | ==== PictureStyle ==== | + | |
- | + | ||
- | Change picture style or adjust its parameters. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Picture Style** | + | |
- | + | ||
- | **Sharpness** | + | |
- | + | ||
- | **Contrast** | + | |
- | + | ||
- | **Saturation** | + | |
- | + | ||
- | **Color Tone** | + | |
- | + | ||
- | **REC-PicStyle** | + | |
- | + | ||
- | You can use a different picture style when recording (toggled | + | |
- | automagically). May be useful with flat picture styles. Raw video makes | + | |
- | no use of this feature. | + | |
- | + | ||
- | + | ||
- | ==== Auto ETTR ==== | + | |
- | + | ||
- | Automatically expose to the right. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Trigger mode** Always ON, Auto Snap, Press SET & HalfS DblClick. Method for executing Auto ETTR. | + | |
- | + | ||
- | **Slowest shutter** 32" to 1/4000. Set your lowest speed. | + | |
- | + | ||
- | **Exposure target** -0.5, -1, -2, -3 & -4EV. -0.5 or -1 recommended. | + | |
- | + | ||
- | **Highlight ignore** | + | |
- | 0 to 50%. Percentage of bright pixels allowed above target level. | + | |
- | Use this to allow spec(ta)cular highlights to be clipped. | + | |
- | + | ||
- | **Allow clipping** OFF, Green channel & Any channel. Choose which channels to be clipped. | + | |
- | + | ||
- | **Midtone SNR limit** 0 to 8EV. Stop underexposing when at least 50% of the image gets noisier than selected SNR. | + | |
- | + | ||
- | **Shadow SNR limit** 0 to 6EV. Stop underexposing when at least 5% of the image gets noisier than selected SNR. | + | |
- | + | ||
- | **Link to Canon shutter** Hack to adjust slowest shutter from main dial. | + | |
- | + | ||
- | **Link to Dual ISO** | + | |
- | Let ETTR change Dual ISO settings so you get the SNR values in mids | + | |
- | & shadows. | + | |
- | + | ||
- | **Show metered areas** Show where the white point and SNR levels are metered (what exactly is considered highlight, midtone and shadow). | + | |
- | + | ||
- | **Show debug info** For nerds. | + | |
- | + | ||
- | See ettr.mo in [[# | + | |
- | + | ||
- | + | ||
- | ==== Exp.Lock ==== | + | |
- | + | ||
- | Locks different exposure controls. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Tv** | + | |
- | + | ||
- | **Av** | + | |
- | + | ||
- | **ISO** | + | |
- | + | ||
- | + | ||
- | ==== Exp.Presets ==== | + | |
- | + | ||
- | Toggles for exposure presets. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **OFF** | + | |
- | + | ||
- | **Press SET** | + | |
- | + | ||
- | **Press INFO** | + | |
- | + | ||
- | + | ||
- | ==== Dual ISO ==== | + | |
- | + | ||
- | Capture using 2 different ISOs for better detail in certain ranges. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Recovery ISO** | + | |
- | + | ||
- | **Dynamic range gained** | + | |
- | + | ||
- | **Midtone overlapping** | + | |
- | + | ||
- | **Alternate frames only** | + | |
- | + | ||
- | **Custom file prefix** | + | |
- | + | ||
- | See dual_iso.mo in [[# | + | |
- | + | ||
- | + | ||
- | ==== Exp.Override ==== | + | |
- | + | ||
- | This mode bypasses Canon exposure limitations for ISO, Tv & Av. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **OFF**: Canon default exposure mode. | + | |
- | + | ||
- | **ON**: ML overrides exposure values (change them from Expo menu). | + | |
- | + | ||
- | **Auto**: ML enables it only when needed. | + | |
- | * Manual video exposure controls - 500D/ | + | |
- | * Non standard shutter speed, aperture or ISO - 550D/ | + | |
- | * Fix LiveView underexposure bug with manual lens - 60D. | + | |
- | * 1/25s in movie mode (24p/25p) ? 1/3 stops better in low light. | + | |
- | * 1/8000s in movie mode, useful for slow motion. | + | |
- | * ISO 12800 is allowed in movie mode on 60D and 600D. | + | |
- | * Full-time DOF preview in photo mode, without blocking certain keys. | + | |
- | + | ||
- | In photo mode, anything slower than 1/25 seconds will be underexposed in | + | |
- | LiveView. Low framerates in FPS override have fixed shutterspeeds. To | + | |
- | compensate exposure adjust aperture and ISO. In daytime, this is tough | + | |
- | as even at ISO 100 it would still be bright even if lens is closed down, | + | |
- | I recommend a VARI-ND. | + | |
- | + | ||
- | + | ||
- | ==== LV Display ==== | + | |
- | + | ||
- | Selects or displays LiveView display type. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Photo display, no exposure simulation (for framing and for flash photography)** | + | |
- | + | ||
- | **Photo display, with exposure simulation** | + | |
- | + | ||
- | **Movie display** | + | |
- | + | ||
- | + | ||
- | ==== Auto exposure ==== | + | |
- | + | ||
- | Automatic control of your exposure during a take. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | See auto_expo.mo in [[# | + | |
- | + | ||
- | + | ||
- | + | ||
- | ===== Overlay ===== | + | |
- | + | ||
- | Graphics overlays that can be used in LiveView or in image review mode: | + | |
- | histogram, zebras, cropmarks, spotmeter, focus peaking, false color… | + | |
- | + | ||
- | + | ||
- | ==== Global Draw ==== | + | |
- | + | ||
- | Choose when to enable Magic Lantern overlay graphics such as zebras, | + | |
- | cropmarks, histograms, audio meters and other ML shooting info. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **OFF** | + | |
- | + | ||
- | **Liveview** | + | |
- | + | ||
- | **QuickReview** (photo mode outside LiveView) | + | |
- | + | ||
- | **ON, all modes** | + | |
- | + | ||
- | If you used display presets, press Q on this item to switch the presets while you are in ML menu. | + | |
- | + | ||
- | + | ||
- | ==== Zebras ==== | + | |
- | + | ||
- | Enable/ | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Color Space:** | + | |
- | * Luma: zebras are computed from Y channel only. | + | |
- | * RGB: check overexposure for each RGB channel. Clipped channels are displayed in the opposite color (i.e. clipped red shown as cyan, underexposed as white and so on). | + | |
- | **Underexposure** - JPG only. Set the RGB point where underexposure zebras are displayed. | + | |
- | + | ||
- | **Overexposure** - JPG only. Set the RGB point where overexposure zebras are displayed. | + | |
- | + | ||
- | **When recording** - Show or hide zebras while recording. | + | |
- | + | ||
- | **Use RAW zebras** - Enable raw based zebras. | + | |
- | + | ||
- | * Off - Disable raw zebras. | + | |
- | * Always - Always show raw zebras, including in live view mode. | + | |
- | * Photo only - Only show raw zebras in image review. | + | |
- | + | ||
- | You may adjust thresholds for underexposure and overexposure, | + | |
- | disable zebras while recording. Note: when using the Technicolor | + | |
- | CineStyle picture style, luma will have values between 16 and 255; | + | |
- | therefore, you will have to set the underexposure threshold to 16 or | + | |
- | greater. | + | |
- | + | ||
- | + | ||
- | ==== Focus Peak ==== | + | |
- | + | ||
- | Focus assist function. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Filter bias:** | + | |
- | + | ||
- | **Image buffer:** | + | |
- | + | ||
- | **Threshold: | + | |
- | + | ||
- | **Color:** either fixed color, or a color coding according to focus intensity. | + | |
- | + | ||
- | **Grayscale image:** if enabled, LiveView will displayed as grayscale, but still recorded as color. | + | |
- | + | ||
- | High-contrast lines will be marked by blinking dots showing which part of the image | + | |
- | is in focus. To see how it works, check this [[http:// | + | |
- | Luminous Landscape. | + | |
- | + | ||
- | + | ||
- | ==== Magic Zoom ==== | + | |
- | + | ||
- | Displays a zoom box for focus assist. Can be used while recording. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Trigger mode** | + | |
- | * FocusR+HalfS: | + | |
- | * Focus+ZREC: triggered by turning the focus ring, or by pressing Zoom In while recording. | + | |
- | * Zoom In (*): triggered by Zoom In button (overrides Canon' | + | |
- | * Always On: no trigger key needed. You can use both Canon' | + | |
- | **Size** | + | |
- | + | ||
- | **Position** | + | |
- | + | ||
- | **Magnification** | + | |
- | + | ||
- | **Focus confirm** When ML believes you have achieved perfect focus, Magic Zoom will display a focus confirmation: | + | |
- | * Green Bars | + | |
- | * Split Screen: when the image is out of focus, the zoom box looks like a split focusing screen from old film cameras. | + | |
- | * Split Screen with ZeroCross: will reverse the split direction whenever you achieve perfect focus. | + | |
- | Zebras, | + | |
- | focus peaking and false color are disabled automatically when the zoom | + | |
- | overlay is active. Focus triggering only works with lenses that report | + | |
- | Focus distance, or when you use follow focus / rack focus. In some | + | |
- | modes, half-pressing the shutter may temporarily hide the zoom overlay. | + | |
- | Original implementation: | + | |
- | + | ||
- | + | ||
- | ==== Cropmarks ==== | + | |
- | + | ||
- | Cropmarks or custom grids for framing and composition. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Bitmap (1/9)** | + | |
- | + | ||
- | **Show in photo mode** | + | |
- | + | ||
- | **Show in PLAY mode** | + | |
- | + | ||
- | If you use custom cropmarks, place them in ML/CROPMKS folder on your SD | + | |
- | card and give them short 8.3 names. You can place at most 9 cropmarks on | + | |
- | the card. Get more cropmarks from the ML cropmark repository or draw | + | |
- | your own (see Cropmarks). | + | |
- | + | ||
- | + | ||
- | ==== Ghost image ==== | + | |
- | + | ||
- | Shows a transparent overlay which can be created from any image in Play mode. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Auto-update** | + | |
- | + | ||
- | To select the image, go to Play mode and press the LiveView button. Move | + | |
- | the ghost image in LiveView with arrow keys; center or hide it with SET | + | |
- | or joystick press. | + | |
- | + | ||
- | + | ||
- | ==== Defishing ==== | + | |
- | + | ||
- | Preview the rectified (defished) image from Samyang 8mm fisheye lens, using rectilinear projection. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | This feature works best in photo mode (outside LiveView). Defishing uses a | + | |
- | pre-computed look-up table (LUT). It is possible to create LUT files for | + | |
- | any other lens or projection by defishing vram/xy.png with your | + | |
- | favorite defishing software, and then running vram/ | + | |
- | the LUT file. All the required files are found in the ML source tree. | + | |
- | Project files (*.PTO) for nona (hugin) are provided for both rectilinear | + | |
- | and Panini projections. | + | |
- | + | ||
- | + | ||
- | ==== Spotmeter ==== | + | |
- | + | ||
- | Measure brightness from a small spot in the frame. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Spotmeter Unit** | + | |
- | * Percent - 0 to 100%. | + | |
- | * 0..255 - RGB levels. | + | |
- | * RGB (HTML)- Displays HTML-like color codes. | + | |
- | * RAW (EV) - Exposure level from sensor saturation using raw sensor data. | + | |
- | **Spot Position** | + | |
- | * Focus box - Spot meter linked to the focus box. | + | |
- | * Center - Spot meter linked to the center of image. | + | |
- | + | ||
- | ==== False color ==== | + | |
- | + | ||
- | This is a tool for evaluating the exposure. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Marshall** | + | |
- | + | ||
- | **SmallHD** | + | |
- | + | ||
- | **50-72** | + | |
- | + | ||
- | **67-72** | + | |
- | + | ||
- | **Banding detection** | + | |
- | + | ||
- | **GreenScreen** | + | |
- | + | ||
- | It shows different luma (Y) levels using a color map. You may configure a | + | |
- | display preset with False Color and toggle it with a single button | + | |
- | press. You may also use false colors to highlight 50% and 70% brightness | + | |
- | levels, or to reveal color banding, or to check for uniform green | + | |
- | screen lighting. | + | |
- | + | ||
- | + | ||
- | ==== Histogram ==== | + | |
- | + | ||
- | This exposure tool will show the distribution of image brightness levels in a histogram. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Color space** | + | |
- | * Luma - Overall brightness | + | |
- | * RGB - Individual Red, Green, and Blue channels | + | |
- | **Scaling** | + | |
- | * Logarithmic | + | |
- | * Linear | + | |
- | **Clip warning** | + | |
- | - Display a warning is the histogram with clipping. | + | |
- | display a warning for each color channel, when that channel is being | + | |
- | overexposed. | + | |
- | clipped. | + | |
- | + | ||
- | **Use RAW histogram** | + | |
- | * OFF - Disable raw based histogram and use JPG based histogram. | + | |
- | * Full Histogram - Use the full histogram. | + | |
- | * Simplified Histobar - Only use the simplified histobar in liveview. | + | |
- | **RAW EV indicator** | + | |
- | * OFF - Don't not use the indicator. | + | |
- | * Dynamic Range - Display the dynamic range at current ISO, from noise stdev. | + | |
- | * ETTR hint - Show how many stops you can push the exposure to the right. | + | |
- | + | ||
- | ==== Waveform ==== | + | |
- | + | ||
- | **Waveform Size** | + | |
- | + | ||
- | + | ||
- | ==== Vectorscope ==== | + | |
- | + | ||
- | This tool shows the color distribution with an U-V plot. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **UV scaling** | + | |
- | + | ||
- | Useful for color grading. To learn how to read it, see Introducing Color Scopes: The Vectorscope. | + | |
- | + | ||
- | + | ||
- | + | ||
- | ===== Movie ===== | + | |
- | + | ||
- | Functions specific to movie mode. | + | |
- | + | ||
- | + | ||
- | ==== Bit Rate ==== | + | |
- | + | ||
- | Controls H.264 bitrate used for video recording. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Mode** | + | |
- | + | ||
- | * CBR is constant bitrate. You specify a factor for multiplying default video bitrate, between 0.1x and 3.0x. CBR 1.0x is the firmware default | + | |
- | * QScale is constant quality, variable bitrate (VBR). Available values are -16 to +16. Lower numbers mean higher bitrates, but it's not as stable as CBR and increasing the bitrate may cause recording to stop. You need a fast card. In QScale mode, bitrate is completely out of control (don't use it!). | + | |
- | * Firmware default completely disables bitrate control. | + | |
- | + | ||
- | **CBR factor** 0.1x to 3.0x. | + | |
- | + | ||
- | **QScale** -16 to 16. | + | |
- | + | ||
- | **Bitrate Info** ON or OFF. | + | |
- | + | ||
- | **BuffWarnLevel** 30 to 100. | + | |
- | + | ||
- | In CBR mode, QScale will not go outside [-16…+16]. When QScale reaches the | + | |
- | extreme values (-16 or +16), bitrate will be different than your CBR | + | |
- | setting. Watch the bitrate indicators. This is not a bug, please do not | + | |
- | report it. You can push the bitrate higher if you record without sound, | + | |
- | then use Audio RemoteShot to sync the video with an external audio | + | |
- | track. You can't change this setting during recording. If buffer usage | + | |
- | gets too high, ML will pause all CPU-intensive graphics. Change the | + | |
- | BuffWarnLevel setting to customize this. | + | |
- | + | ||
- | + | ||
- | ==== REC key ==== | + | |
- | + | ||
- | This option enables you to start/stop movie recording by half-pressing the shutter button. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Require long press** | + | |
- | + | ||
- | **Allowed actions** | + | |
- | + | ||
- | With this, you can use a wired remote to start/stop recording. | + | |
- | + | ||
- | + | ||
- | ==== Gradual Expo. ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **1EV / 8 frames** | + | |
- | + | ||
- | **1EV / 16 frames** | + | |
- | + | ||
- | **1EV / 32 frames** | + | |
- | + | ||
- | **1EV / 64 frames** | + | |
- | + | ||
- | **1EV / 128 frames** | + | |
- | + | ||
- | **1EV / 256 frames** | + | |
- | + | ||
- | **1EV / 512 frames** | + | |
- | + | ||
- | + | ||
- | ==== FPS override ==== | + | |
- | + | ||
- | This setting alters FPS for all video modes. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Desired FPS** | + | |
- | 0.150 fps to 65 fps depending on your model capabilities. If the | + | |
- | desired value is not possible, ML will choose the closest safe option | + | |
- | (see ' | + | |
- | + | ||
- | **Optimize for** | + | |
- | Presets that will suit different situations: | + | |
- | * Low light - use this option for recording timelapse with shutter speed set to 1/fps (360 degrees); at high FPS values, you may be able to use other shutter speed values. | + | |
- | * Exact FPS - try to achieve an exact FPS value, such as 24.000 or 30.000 or 12.500. If more exact solutions are found, ML will choose the one with lowest jello effect. | + | |
- | * High FPS - changes FPS without altering shutter speed and allows a slight overcranking (60D, 600D). | + | |
- | * LowJello - 180d try to minimize the jello effect caused by rolling shutter, | + | |
- | * High Jello: maximize the jello effect and enable fast shutter speeds. You can use this mode for recording slit-scan frames (distorted images like these, which use the extreme jello effect in creative ways). | + | |
- | + | ||
- | **Shutter range** | + | |
- | displays the available shutter speed range with current settings. When | + | |
- | you use FPS override, Canon menu will still display 1/30 to 1/4000, but | + | |
- | the actual shutter speed will be found on ML displays. You can alter | + | |
- | shutter speed range by changing the ratio between the two timer values - | + | |
- | decreasing timer B will result in faster shutter speeds available. | + | |
- | + | ||
- | **FPS Timer A** | + | |
- | FPS is changed by altering two timer values. Increasing either of these | + | |
- | values results in lower FPS, faster shutter speed and alters rolling | + | |
- | shutter. Only undercranking works well. Timer A gets you in the | + | |
- | ballpark and ML will re-adjust timer B to match your FPS choice. | + | |
- | + | ||
- | **FPS Timer B** ML will not re-adjust timer A, so this option will let you fine-tune the exact FPS value. | + | |
- | + | ||
- | **Main Clock** displays the crystal oscillator frequency of the FPS circuit driver (read-only, depends on your camera). | + | |
- | + | ||
- | **Actual FPS** this displays the current FPS, computed as TG_FREQ / timerA / timerB (read-only). | + | |
- | + | ||
- | **Constant expo** | + | |
- | + | ||
- | **Sync w.Shutter** | + | |
- | + | ||
- | **FPS ramping** | + | |
- | + | ||
- | **Ramp duration** | + | |
- | + | ||
- | This function will not change the frame rate from the video header; the | + | |
- | video will playback at the setting from Canon menu. Set FPS to a very | + | |
- | low value like 3fps to record a timelapse. This feature also works in | + | |
- | photo mode, making LiveView usable in dark environments. Combine it with | + | |
- | display gain. To get 180-degree shutter speed at very low FPS, simply | + | |
- | discard half of the frames in post. If 0.2 FPS is not enough, use Frame | + | |
- | Merger (a VirtualDub plugin). Exact frame rate may be rounded to be an | + | |
- | exact multiple of PAL/NTSC frame rates. | + | |
- | * PAL modes: 25p/50p. Rounded frame rates: 33.333fps, 12.5fps, 11.111fps and so on. | + | |
- | * NTSC modes: 30p/ | + | |
- | + | ||
- | ==== HDR video ==== | + | |
- | + | ||
- | This feature allows you to shoot a high dynamic range video by alternating ISO every other frame. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **ISO A** | + | |
- | + | ||
- | **ISO B** | + | |
- | + | ||
- | Select the two ISO values from the submenu. Possible postprocessing workflows: | + | |
- | * Interframe script: user-friendly version and bare-bone version | + | |
- | * GingerHDR (plugin for Adobe After Effects and Premiere) | + | |
- | * Magic Lantern HDR Compose generator for FCP X | + | |
- | * HDR Glogger Web Service | + | |
- | * etc (please | + | |
- | + | ||
- | + | ||
- | ==== Vignetting ==== | + | |
- | + | ||
- | In camera vignetting. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Mid-range correction** Correction applied between the central areas and the corners. | + | |
- | + | ||
- | **Corner correction** Stronger bias towards corners. | + | |
- | + | ||
- | **Extreme corner correction** Heavy correction in the corners. | + | |
- | + | ||
- | Minus values increase the vignette. | + | |
- | + | ||
- | + | ||
- | ==== Image Finetuning ==== | + | |
- | + | ||
- | Settings for fine control of your image. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **ML Digital ISO** Pull back the ISO to achieve superior highlight roll off. | + | |
- | + | ||
- | **Black Level** Set your black level to control green shadows. | + | |
- | + | ||
- | **Absolute Zero Sharpness** Disables any kind of sharpening. | + | |
- | + | ||
- | **Edge Emphasis** Picks out edges in bright areas. | + | |
- | + | ||
- | **Noise Reduction** In camera noise reduction. | + | |
- | + | ||
- | + | ||
- | ==== Creative Effects ==== | + | |
- | + | ||
- | Custom image effects found by investigating DIGIC registers. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Desaturate** lets you record grayscale with any picture style. | + | |
- | + | ||
- | **Negative image** Inverts your luma values | + | |
- | + | ||
- | **Swap U-V** Red becomes blue. | + | |
- | + | ||
- | **Cartoon look** for this to work, set sharpness in your picture style to any nonzero value. | + | |
- | + | ||
- | + | ||
- | ==== RAW video (MLV) ==== | + | |
- | (http:// | + | |
- | + | ||
- | Magic Lantern (RAW) Video format v2.0. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Resolution** 640 to 3584. Width of captured image in pixels. 5D2 tops out at 1856. | + | |
- | + | ||
- | **Aspect Ratio** 5:1 to 1:2. Height of captured image. | + | |
- | + | ||
- | **Create directory** ON or OFF. Saves video chunks in separate folders. | + | |
- | + | ||
- | **Global Draw** ON or OFF. Disables GD while recording, though some previews require it. | + | |
- | + | ||
- | **Frame skipping** ON or OFF. Stops recording if you drop a frame. | + | |
- | + | ||
- | **Preview** Auto, Canon, ML Grayscale, HaCKeD & Hacked No Prev. | + | |
- | + | ||
- | **Status when recording** Icon, None & Debug. | + | |
- | + | ||
- | **Start delay** 2, 4 & 10 second delay, useful for stabilizing. | + | |
- | + | ||
- | **Digital dolly** Pan your frame in camera digitally. | + | |
- | + | ||
- | **Card warm-up** Some cards perform better after warming up. | + | |
- | + | ||
- | **Extra Hacks** Small tweaks to maximise writing speed. | + | |
- | + | ||
- | **Fix black level** Forces the black level to 2048 to combat green shadows. | + | |
- | + | ||
- | **Debug trace** Writes an execution trace to your card and causes performance dips. | + | |
- | + | ||
- | **Show buffer graph** Shows current buffer usage and expected frames. | + | |
- | + | ||
- | **Buffer fill method** Select your method for filling buffers. | + | |
- | + | ||
- | **Reserve card space** Reserves a chunk of space before recording to write over if you fill the card during a take. | + | |
- | + | ||
- | **Tag: Text** Custom filenames. | + | |
- | + | ||
- | **Tag: Take** | + | |
- | + | ||
- | + | ||
- | ==== RAW video ==== | + | |
- | (http:// | + | |
- | + | ||
- | Magic Lantern (RAW) Video format v1.0. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Resolution** 640 to 3584. Width of captured image in pixels. 5D2 tops out at 1856. | + | |
- | + | ||
- | **Aspect Ratio** :1 to 1:2. Height of captured image. | + | |
- | + | ||
- | **Digital dolly** Pan your frame in camera digitally. | + | |
- | + | ||
- | **Preview** Auto, Canon, ML Grayscale, HaCKeD & Hacked No Prev. | + | |
- | + | ||
- | **Frame skipping** ON or OFF. Stops recording if you drop a frame. | + | |
- | + | ||
- | **Card warm-up** Some cards perform better after warming up. | + | |
- | + | ||
- | **Small hacks** Small tweaks to maximise writing speed. | + | |
- | + | ||
- | **Debug info** Shows detailed info and buffer allocation graphs. | + | |
- | + | ||
- | **Playback** Playback the last raw video you shot. | + | |
- | + | ||
- | Raw video has come a long way in a year [[http:// | + | |
- | + | ||
- | ==== Movie Tweaks ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Time indicator** When recording a movie, ML will display a small time counter in the upper right corner, which can be: | + | |
- | * Elapsed: duration of the current clip | + | |
- | * Remain.Card: | + | |
- | * Remain.4GB: estimated amount of recording time until reaching 4GB (or until filling the card, whichever comes first). | + | |
- | Unlike Canon' | + | |
- | bitrate and works even if QScale is enabled. However, due to variations | + | |
- | in bitrate, the estimated value will fluctuate a lot, and this is | + | |
- | normal. | + | |
- | + | ||
- | **Movie Logging** If this setting is ON, | + | |
- | Magic Lantern will write out a metadata file for the each movie to | + | |
- | MVI_1234.LOG (numbered after the movie). The log file contains lens and | + | |
- | exposure info, as well as a timestamp every time any of the parameters | + | |
- | is changed during recording. Log files are placed in the same folder as | + | |
- | the movies: DCIM/ | + | |
- | to CSV and import them in MS Excel. | + | |
- | + | ||
- | **Movie Restart** | + | |
- | While this setting is on, movie recording will restart automatically, | + | |
- | unless you stop it. There will be a few seconds skipped during | + | |
- | restarting. | + | |
- | + | ||
- | **REC/STBY notify** Custom notifications for recording or standby: | + | |
- | * Red Crossout highly recommended if you forget to press record | + | |
- | * Message it shows STBY or REC | + | |
- | * Beeps it will beep when recording starts or stops | + | |
- | * Blue LED obvious if your camera has it | + | |
- | + | ||
- | **Force LiveView** bypass the dialog saying Press LV button to activate movie shooting. | + | |
- | * Always: force LiveView even if you use an unchipped lens, or no lens at all. Be careful, you may get dust on the sensor while changing lenses. | + | |
- | * Start & CPU lenses: it will force LiveView at startup, regardless of the lens used. After this, it will only bypass the dialog when a chipped | + | |
- | **Shutter Lock** This option locks the shutter value in movie mode (you will be able to change it only from ML menu). | + | |
- | + | ||
- | + | ||
- | ==== Movie Record (50D) ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | Enable movie recording on 50D (1920×1080, | + | |
- | recording, go to LiveView (P/Tv/Av/M) and press SET. WARNING: Canon 50D | + | |
- | was NOT designed to record movies. Keep in mind: This feature was not | + | |
- | thoroughly tested by Canon and may be unstable (even if you record | + | |
- | without ML). Always disable movie recording when you don't use it. | + | |
- | Battery will drain quickly when recording; also, the camera may | + | |
- | overheat. | + | |
- | + | ||
- | Limitations: | + | |
- | use an external recorder (for example, Zoom H1, H2 or H4n) and sync the | + | |
- | sound in post with a clapperboard. You can't play back movies in the | + | |
- | camera. This setting remains active even if you start the camera with | + | |
- | standard firmware (until you clear your settings). | + | |
- | + | ||
- | + | ||
- | ==== Shutter Button (50D) ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Block during REC** | + | |
- | blocks the shutter and related (AF, *) buttons while recording. In 50D, | + | |
- | taking pictures while recording would result in ERR99; with this | + | |
- | option, you can avoid taking pictures while recording by mistake. Side | + | |
- | effect: this will disable image stabilization during recording. | + | |
- | + | ||
- | **Hold during REC (IS)** | + | |
- | ML will keep the shutter button pressed half-way during recording, | + | |
- | which will enable image stabilization (IS). Side effect: you need to | + | |
- | press the shutter button half way to turn IS off before the camera will | + | |
- | let you stop recording. | + | |
- | + | ||
- | + | ||
- | ==== Exposure Lock (50D) ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | Locks the exposure in movie mode. You can also use the * button (you don't have to hold it pressed). | + | |
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | ===== Shoot ===== | + | |
- | + | ||
- | Functions for stills shooting, some of them work for movies too. | + | |
- | + | ||
- | + | ||
- | ==== Advanced Bracket ==== | + | |
- | + | ||
- | Exposure bracketing for HDR images and timelapses. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Bracket type** Choose the variables to bracket. | + | |
- | + | ||
- | **Frames** Number of bracketed shots. Can be computed automatically. | + | |
- | + | ||
- | **EV increment** Exposure difference between two frames. | + | |
- | + | ||
- | **Sequence** Bracketing sequence order / type. Zero is always first. | + | |
- | + | ||
- | **2- second delay** Delay before starting the exposure. | + | |
- | + | ||
- | **ISO shifting** Also use ISO as bracket variable. Range 100 - max AutoISO. | + | |
- | + | ||
- | [[http:// | + | |
- | M mode, this function does shutter and/or ISO bracketing. In the other | + | |
- | modes it does exposure compensation bracketing. To start bracketing, | + | |
- | take only the first picture and ML will continue the sequence. To | + | |
- | preview HDR images in camera, set SET+MainDial: | + | |
- | Prefs menu, Image review settings, then go to playback mode, hold SET | + | |
- | and turn the main dial (wheel). For each HDR picture set, Magic Lantern | + | |
- | may also write a bash script for stacking the exposures with enfuse | + | |
- | (version 4.x), with optional alignment (align_image_stack). More info: | + | |
- | Exposure Fusion: What is it? How does it Compare to HDR? How Do I Do | + | |
- | It?. | + | |
- | + | ||
- | + | ||
- | ==== Intervalometer ==== | + | |
- | + | ||
- | Take pictures or movies at fixed intervals. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Take a pic every** Duration between two shots. | + | |
- | + | ||
- | **Start trigger** Options for how to trigger intervalometer. | + | |
- | + | ||
- | **Start after** Start delay (up to 8 hours). | + | |
- | + | ||
- | **Stop after** Stop after X pictures. In movie mode only: duration of a movie clip. | + | |
- | + | ||
- | **Manual FocusRamp** | + | |
- | + | ||
- | You can stop the intervalometer by rotating the mode dial, by pressing MENU | + | |
- | or PLAY, or by turning off the camera. To avoid flicker, shoot in | + | |
- | manual mode, use manual white balance, avoid short exposure times and | + | |
- | use a manual lens (if you use an EF lens, lock the aperture and unscrew | + | |
- | it). To make a timelapse without increasing shutter count, do not use | + | |
- | the intervalometer; | + | |
- | example, 3fps) and start recording. When using the intervalometer in | + | |
- | LiveView with noisy mode, your shutter will wear twice as fast than | + | |
- | outside LiveView. If the intervalometer can't be stopped (it may happen | + | |
- | in crazy mode), turn the camera off or open the card door. Adjust your | + | |
- | auto-off setting to longer than your timelapse interval the camera will | + | |
- | turn off before the second shot. When not in LiveView, press DISP or | + | |
- | INFO to turn the display off. In LiveView, ML will turn the display and | + | |
- | the sensor off during idle times if you enable this option from | + | |
- | Powersave menu. While the intervalometer is running, the card led will | + | |
- | blink once per second to let you know it's alive and kicking. | + | |
- | + | ||
- | + | ||
- | ==== deflick.mo ==== | + | |
- | (http:// | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Sidecar file type** Sidecar file format for deflicker metadata. | + | |
- | + | ||
- | **Deflicker percentile** Where to meter for deflickering. Recommended 50%. | + | |
- | + | ||
- | **Deflicker target level** Desired exposure level for processed pics. 0 = overexposed. | + | |
- | + | ||
- | + | ||
- | ==== Bulb/Focus Ramping ==== | + | |
- | + | ||
- | Bulb Ramping allows the capture of a timelapse that gradually changes | + | |
- | exposure, compensating for the transition from day to night. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | Auto exposure ramping: this option will adjust shutter and ISO automatically, | + | |
- | + | ||
- | Manual exposure ramping: this option will adjust shutter and ISO to follow a | + | |
- | fixed exposure ramp (a fixed amount of EV change per shot). Can be used | + | |
- | as standalone or combined with auto ramping. | + | |
- | + | ||
- | Manual focus | + | |
- | ramping: this lets you adjust focus gradually while shooting the | + | |
- | timelapse. It requires a lens with autofocus and it can only work in | + | |
- | LiveView. | + | |
- | + | ||
- | Settings for auto ramping: | + | |
- | + | ||
- | Mode: sunset / | + | |
- | sunrise / auto. In sunset mode, the exposure will always increase. In | + | |
- | sunrise mode, the exposure will always decrease. This idea was suggested | + | |
- | by Tom Lowe on RedUser.net forum. | + | |
- | + | ||
- | Maximum ramping speed: this | + | |
- | parameter is used for computing the optimal smoothness factor. A lower | + | |
- | value will reduce flicker, but if the value is twice as low as the real | + | |
- | rate of brightness change, ML will lose the ability to ramp correctly. | + | |
- | For example, if you set a maximum ramping speed of 0.1 EV / shot, and | + | |
- | the scene requires a ramping of 0.2 EV / shot, ML will start flickering | + | |
- | heavily. | + | |
- | + | ||
- | Quick start guide for auto ramping: | + | |
- | + | ||
- | 1. Take a picture of your scene. You will use it to say: I want my timelapse to be exposed like this picture. | + | |
- | + | ||
- | 2. Enable Bulb Ramping and Intervalometer. | + | |
- | + | ||
- | 3. Leave the camera still while ML runs a calibration step: | + | |
- | + | ||
- | Make sure you have a static and well-lit scene (any static scene which does not require long exposure should be fine). | + | |
- | + | ||
- | After calibration, | + | |
- | + | ||
- | 4. Now you will have to say what tone range to meter for (i.e. highlights, midtones…). Follow the wizard: | + | |
- | + | ||
- | Use arrow keys to select your reference picture (which you just took). | + | |
- | + | ||
- | Use the main dial to select the tone range to meter for. You can' | + | |
- | perfectly match two images just by varying one parameter (exposure), so | + | |
- | you have to choose what's important for you in this picture. | + | |
- | + | ||
- | For | + | |
- | lowest flicker, meter for midtones (choose the 50th percentile, i.e. | + | |
- | median, because it's a robust estimation, unlike simple averaging). | + | |
- | Leave some headroom for highlights (underexpose a bit). | + | |
- | + | ||
- | If | + | |
- | highlights are important, meter for them (choose 80th percentile for | + | |
- | example). You will have to shoot RAW and remove flicker when you develop | + | |
- | the RAW files. | + | |
- | The algorithm works best when brightness is close to 50% (try not to choose extreme values for it). | + | |
- | When you are ready to start, press SET. | + | |
- | 5. Sit back and relax :) | + | |
- | Limits: | + | |
- | ISO is chosen between 100 and maximum auto ISO value from Canon menu. | + | |
- | Shutter speed is chosen between 1/8000 (lower limit) and the delay between two | + | |
- | shots minus two seconds (upper limit). Example: for 10-second intervals, | + | |
- | shutter speed will be between 1/8000 and 8 seconds. | + | |
- | Aperture is fixed (you can change it manually). | + | |
- | Tips: | + | |
- | Don't adjust ISO and shutter before the timelapse, they are fully automatic. | + | |
- | Use a ND filter to reduce flicker during daylight. | + | |
- | Reduce flicker in post. We recommend VirtualDub with MSU Deflicker plugin | + | |
- | (free, works with Windows and Wine). See also Timelapse workflow using | + | |
- | free software tutorial. | + | |
- | Technical notes: | + | |
- | + | ||
- | Exposure is metered using a condition like this (for example): 70% of pixels should be below 50% brightness. | + | |
- | + | ||
- | Exposure for every shot is computed from previous shots, using a feedback controller algorithm with a smoothing factor. | + | |
- | + | ||
- | ISO is chosen using the 180 degree rule, so the resulting shutter speed | + | |
- | stays between 90 and 270 degrees (that is, between 1/4 and 3/4 of the | + | |
- | delay between two shots). | + | |
- | + | ||
- | Only full-stop ISOs (100, 200, 400 etc) are used (because you are supposed to shoot RAW). | + | |
- | + | ||
- | Shutter speed can be adjusted with a resolution of 10ms. | + | |
- | Frames with fast shutter speeds (less than 1 second in Rebel cameras, less 0.1 | + | |
- | seconds in 60D) are taken in Manual mode. You will get flicker. | + | |
- | It can go from 1/8000s @ ISO 100 (daylight) to several minutes of exposure time @ ISO 6400 (complete darkness). | + | |
- | + | ||
- | Exposure algorithm is a feedback controller designed with pole placement - the | + | |
- | closed loop response will have two real poles placed at the smoothing | + | |
- | factor value. Smoothing factor is computed in such a way that, when | + | |
- | scene ramping speed matches the speed selected in menu, ramp is followed | + | |
- | at exactly 1 EV behind it. If the lighting changes suddenly a few stops | + | |
- | between two shots (for example, you change the ND filters or the | + | |
- | aperture), the algorithm should recover completely after 2 or 3 shots. A | + | |
- | sudden exposure change is considered when the exposure difference is | + | |
- | greater than 2 stops. | + | |
- | + | ||
- | Logging: When you use bulb ramping, Magic | + | |
- | Lantern will save a log file with the exposure parameters, metered | + | |
- | values and so on. Please send this file to developers. These log files | + | |
- | can be used to see how well the ramping went and to fine-tune the | + | |
- | algorithm. | + | |
- | + | ||
- | + | ||
- | ==== Bulb Timer ==== | + | |
- | + | ||
- | Very long exposures with Bulb mode and ML timer. This feature is useful for night shots and astrophotography. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Exposure duration** | + | |
- | + | ||
- | **Display during exposure** | + | |
- | + | ||
- | Bulb timer is started by holding the shutter pressed halfway for one second, | + | |
- | or by remote triggers / intervalometer. You can cancel the exposure | + | |
- | earlier by half-pressing the shutter button. | + | |
- | + | ||
- | + | ||
- | ==== LCDsensor Remote ==== | + | |
- | + | ||
- | Start/stop remote shutter release mode with the LCD sensor. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Near:** To take a picture, put your hand near the LCD sensor. | + | |
- | + | ||
- | **Away:** Picture is taken when you get your hand away from the sensor. You may combine this setting with Mirror Lockup. | + | |
- | + | ||
- | **Wave:** Picture is taken after you wave your hand 3 times near the | + | |
- | sensor. You can leave it on without interfering (too much) with normal | + | |
- | shooting. | + | |
- | + | ||
- | This feature is useful for avoiding camera shake. In | + | |
- | Movie mode, the Wave ? setting is able to start and stop recording | + | |
- | movies. The other modes can only start recording (because it's too easy | + | |
- | to stop recording by mistake). While recording, the Near and Away modes | + | |
- | can trigger the rack focus operation. | + | |
- | + | ||
- | + | ||
- | ==== Audio RemoteShot ==== | + | |
- | + | ||
- | Start/stop remote audio trigger. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Trigger level (dB)** | + | |
- | + | ||
- | To take a picture (or start recording a movie), make some loud noise, for | + | |
- | example, clap your hands or pop a balloon. With the audio trigger you | + | |
- | can sync a video recorded without sound with an external audio track. | + | |
- | This may trigger the shutter from the sounds made by camera (like focus | + | |
- | beep or noise from operating the buttons). | + | |
- | + | ||
- | + | ||
- | ==== Motion detection in LiveView ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Trigger by** | + | |
- | Exposure change: it only reacts to brightness changes. Detects large | + | |
- | moving subjects which cause significant change in exposure. | + | |
- | Frame | + | |
- | difference: it computes the difference between last two frames A and B | + | |
- | (luma channel only); this detects smaller movements which do not change | + | |
- | exposure. | + | |
- | + | ||
- | **Trigger level** High values = less sensitivity to motion. | + | |
- | + | ||
- | **Detect Size** Size of the area on which motion shall be detected. | + | |
- | + | ||
- | **Delay** Delay between the detected motion and picture taken. | + | |
- | + | ||
- | Detection time is somewhere between 200 and 300 ms according to DataGhost' | + | |
- | + | ||
- | + | ||
- | ==== Silent Pictures ==== | + | |
- | + | ||
- | Take pictures in LiveView mode without moving the mirror. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Silent Mode** | + | |
- | Silent Picture: simple, low-resolution. Image resolution is usually | + | |
- | around 1 or 2 MPix, and depends on the current mode (zoom or not, | + | |
- | recording or not, and movie resolution). For almost-FullHD resolution | + | |
- | (1720×974), | + | |
- | Silent Pic Hi-Res: | + | |
- | emulates high-resolution by taking a matrix of small silent pics, in | + | |
- | zoom x5 mode. You need to have the camera on a tripod and the subject | + | |
- | should be static (a picture is taken in a few seconds). Could be useful | + | |
- | for focus stacking or for timelapse without increasing shutter count. | + | |
- | + | ||
- | **Slit-Scan Mode** Choose slitscan mode. | + | |
- | + | ||
- | Silent picture setting is applied to intervalometer and remote triggers. It | + | |
- | will also go to LiveView when you press the shutter half-way. Therefore, | + | |
- | you should only enable this setting when you actually use it. When | + | |
- | enabled, it saves uncompressed YUV422 frames from the LiveView image | + | |
- | buffer when you press the shutter halfway. Make sure you don't have | + | |
- | autofocus assigned to half-shutter press (put it on * or turn it off) | + | |
- | Images are saved in DCIM/ | + | |
- | + | ||
- | If intervalometer is OFF, silent pics are named after last picture/ | + | |
- | taken without this function (e.g. 12340001.422). You are limited to | + | |
- | 10000 silent pictures for each noisy picture. | + | |
- | + | ||
- | If intervalometer | + | |
- | is ON, silent pics have names like 12345678.422. Tip: use File Numbering | + | |
- | ? Manual Reset from Canon menu to increase folder number (to sort them | + | |
- | easier). | + | |
- | + | ||
- | To convert a 422 image to JPEG on the PC, use one of the following programs: | + | |
- | + | ||
- | 422-jpg.py (command-line tool, runs on all platforms, you need to install Python, PIL and numpy). | + | |
- | + | ||
- | 422toimage (Windows only, source code available). | + | |
- | + | ||
- | YUV422 Convertor (Windows only, closed source). | + | |
- | + | ||
- | + | ||
- | ==== Mirror Lockup ==== | + | |
- | + | ||
- | Mirror lockup. See Canon user guide for details. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **MLU mode** Choose when MLU should be active. | + | |
- | + | ||
- | **Handheld Shutter** At what shutter speeds you want to use handheld MLU. | + | |
- | + | ||
- | **Handheld Delay** Delay between mirror and shutter movement. | + | |
- | + | ||
- | **Normal MLU Delay** MLU delay used with intervalometer, | + | |
- | + | ||
- | Timer+Remote will auto-enable MLU under one of the following conditions (and disable it otherwise): | + | |
- | + | ||
- | self-timer mode is on (either 2 second or 10 second, but not continuous) | + | |
- | + | ||
- | LCDsensor Remote is in Away mode. | + | |
- | + | ||
- | + | ||
- | ==== Flash tweaks ==== | + | |
- | + | ||
- | A few tweaks for flash users: | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | Flash expo compensation (-10..+3 EV). Tip: you may use -10EV to trigger an | + | |
- | external flash without putting light on the scene coming from the | + | |
- | onboard flash. | + | |
- | + | ||
- | Flash / No flash: use this when you are not sure | + | |
- | whether to use flash or not. Odd pictures (by file number) will be taken | + | |
- | with flash, even pictures without flash. | + | |
- | + | ||
- | 3rd party flash in LV: a | + | |
- | trick for using a non-Canon flash in LiveView on Rebel cameras, which | + | |
- | disables LiveView on half-shutter press. DISABLE this option when you | + | |
- | don't use it!!! | + | |
- | + | ||
- | ==== Shoot Preferences ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Pics at once** How many pics to take at once for each trigger event. | + | |
- | + | ||
- | **Use Autofocus** For intervalometer, | + | |
- | + | ||
- | **Post scripts** Post processing scripts for bracketing and focus stacking. | + | |
- | + | ||
- | **Intervalometer Script** Scripts for sorting intervalometer sequences. | + | |
- | + | ||
- | **Snap Simulation** Takes virtual pictures for testing purposes. | + | |
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | ===== Focus ===== | + | |
- | + | ||
- | Different controls for focus. | + | |
- | + | ||
- | + | ||
- | ==== Trap Focus ==== | + | |
- | + | ||
- | Takes a picture when the subject comes into focus. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **OFF** | + | |
- | + | ||
- | **Hold AF button** you need to hold the autofocus button (half-shutter, | + | |
- | **Continuous** | + | |
- | you don't need to hold any button; ML will hold the half-shutter | + | |
- | pressed for you. This will also block most buttons; press the shutter | + | |
- | halfway to unlock them for two seconds. | + | |
- | + | ||
- | Outside LiveView, it only | + | |
- | works with lenses with chip. In LiveView it only works for photos, and | + | |
- | it will take a picture when the focus indicator has (almost) maximum | + | |
- | value on the focus graph. You may have to turn the lens back and forth a | + | |
- | few times in order to let ML compute the correct focus scaling factor | + | |
- | for the current scene. If you move from a high-contrast scene to a | + | |
- | low-contrast one, you will also have to wait a bit until the | + | |
- | high-contrast data disappears from the focus graph. Press SET to | + | |
- | temporarily disable automatic scaling of focus magnitude. | + | |
- | + | ||
- | + | ||
- | ==== Follow Focus ==== | + | |
- | + | ||
- | Very simple follow focus (like a rack focus controlled manually). | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **OFF ON** | + | |
- | + | ||
- | Arrows: | + | |
- | you will be able to focus with the arrow keys. LCD Sensor: on | + | |
- | 550D/500D, focus by placing your hand near the LCD sensor (avoiding | + | |
- | shake). To use this, you may need to disable LCDsensor Remote. | + | |
- | Recommended focus step settings: | + | |
- | Focus StepSize: 1 or 2 | + | |
- | Focus StepDelay: small values, without Wait flag. | + | |
- | If the motion is not smooth, try larger delays (100ms) | + | |
- | + | ||
- | Quick rack focus while recording: | + | |
- | + | ||
- | Press MENU to save current focus point (this means I want to return here); | + | |
- | Use follow focus to change focus point (focus somewhere else); | + | |
- | Press PLAY to go to saved focus point; | + | |
- | Press PLAY again to go back. | + | |
- | + | ||
- | + | ||
- | ==== Focus End Point ==== | + | |
- | + | ||
- | This is end point of rack focus (X focus steps from the start point, i.e. from current focus point). | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | First you have to set the end point. Focus the lens, then press SET on this | + | |
- | menu item. After pressing SET, ML will display Focus End Point: 0 steps | + | |
- | from here.. This means the end point is now assigned to current focus | + | |
- | position. At this point, you will see the LiveView image and set the | + | |
- | start point using left and right keys (just like with follow focus) or | + | |
- | the main dial (scrollwheel). The start point will be always the current | + | |
- | focus point (which you are changing); the end point will remain fixed. | + | |
- | + | ||
- | + | ||
- | ==== Rack Focus ==== | + | |
- | + | ||
- | Triggers the rack focus operation that moves between the start and end focus points. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | After the move is complete pressing again reverses the move. | + | |
- | + | ||
- | SET: rack focus will start after 2 seconds; | + | |
- | + | ||
- | Q: rack focus will start immediately; | + | |
- | + | ||
- | PLAY: ML will automatically record a short clip with the rack focus operation. | + | |
- | + | ||
- | Step-by-step: | + | |
- | + | ||
- | Pick the end point of rack focus by focusing on it (manually or with AF). | + | |
- | Configure focus parameters (step size and delay). Different lenses may | + | |
- | require different parameters. Open the Focus menu, go to Focus End Point | + | |
- | and press Set to zero it out. Pick the start point by focusing on it | + | |
- | with the LEFT/RIGHT buttons while the Focus menu is active. Make sure | + | |
- | the number from Focus End Point is changing as you focus. Fine-tune the | + | |
- | position with scrollwheel. Go to Rack Focus and press SET or PLAY to | + | |
- | start rack focus. To return to the starting point, run rack focus again. | + | |
- | Tip: when LCDsensor Remote is set on Near or Away, you can trigger rack | + | |
- | focus from the LCD sensor, avoiding camera shake. | + | |
- | + | ||
- | Recommended focus step settings: | + | |
- | + | ||
- | Focus StepSize: 1 or 2 | + | |
- | + | ||
- | Focus StepDelay: - without Wait flag: large delays (around 100 ms) ? will | + | |
- | ignore small position errors - with Wait flag: small delays (only lens | + | |
- | is in very good mechanical condition) | + | |
- | + | ||
- | + | ||
- | ==== Focus Stacking ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Run focus stack** | + | |
- | + | ||
- | **Num. pics in front** | + | |
- | + | ||
- | **Num. pics behind** | + | |
- | + | ||
- | **Focus steps / picture** | + | |
- | + | ||
- | **Flash Delay** | + | |
- | + | ||
- | **Copy rack focus range** | + | |
- | + | ||
- | This selection will shoot a series of photographs with varying focus points. | + | |
- | It is used in macro photography to assemble sharper final images by | + | |
- | merging photos where each has a different focus point. | + | |
- | + | ||
- | This | + | |
- | function can also create scripts named like named FST_1234.SH, | + | |
- | be used for stacking the images with enfuse. See Exposure bracketing | + | |
- | for details on how to use these scripts, and the focus stacking section | + | |
- | from Enfuse reference manual. To enable (or disable) the post-processing | + | |
- | scripts, go to HDR bracketing submenu. | + | |
- | + | ||
- | Usage: | + | |
- | + | ||
- | Configure rack focus and use it to preview the focus range. | + | |
- | + | ||
- | Select the number of focus steps to skip. This will determine the number of pictures to be taken. | + | |
- | + | ||
- | Press PLAY to start the focus sequence (PLAY mode) or take the first picture (SNAP mode). | + | |
- | + | ||
- | You can also combine this function with HDR bracketing and silent pictures. | + | |
- | + | ||
- | Recommended focus step settings: same as for rack focus. | + | |
- | + | ||
- | The following items are display only: | + | |
- | + | ||
- | + | ||
- | ==== Focus StepSize ==== | + | |
- | + | ||
- | Step size for one focus command, as used by EOS Utility. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | ==== Focus StepDelay ==== | + | |
- | + | ||
- | Delay between two successive focus commands, with an optional waiting flag. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | If Wait is not active, ML will only wait a for fixed delay before sending | + | |
- | next focus command. This will reduce stutter, but may affect rack focus | + | |
- | accuracy. This setting is recommended if you only use follow focus. | + | |
- | + | ||
- | If Wait is active, ML will wait until each focus command is completed, and | + | |
- | then it will wait for a fixed delay, as configured here. This will | + | |
- | increase rack focus accuracy, but may cause stutter with certain lenses. | + | |
- | + | ||
- | + | ||
- | ==== Rack Delay ==== | + | |
- | + | ||
- | Sets the number of seconds before starting a rack focus. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | This lets you film the start point first, then initialise the rack focus without touching the camera. | + | |
- | + | ||
- | + | ||
- | ==== Focus Patterns ==== | + | |
- | + | ||
- | Custom focus patterns which can be used either with autofocus or trap focus. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Center selection** | + | |
- | + | ||
- | **Horiziontal selection** | + | |
- | + | ||
- | **Vertical selection** | + | |
- | + | ||
- | **Shortcut keys** | + | |
- | + | ||
- | To change the focus pattern: | + | |
- | + | ||
- | Set your camera in photo mode, non-LiveView. Look through the viewfinder | + | |
- | and make sure the main display is off. Change the focus pattern with the | + | |
- | arrow keys and SET. You may or may not receive visual feedback. Press | + | |
- | the Zoom In button twice to see the current selection. You can use the | + | |
- | custom focus patterns in LiveView Quick Focus mode, too, but the pattern | + | |
- | won't be displayed on the screen. This feature was ported from 400plus. | + | |
- | + | ||
- | + | ||
- | + | ||
- | ==== Focus Dist ==== | + | |
- | + | ||
- | The distance to the focal point. Value is returned by most newer Canon lenses. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | If the lens does not report any distance information, | + | |
- | and the DOF calculations will not be correct. See also Focus distance. | + | |
- | + | ||
- | + | ||
- | ==== Hyperfocal ==== | + | |
- | + | ||
- | The hyperfocal distance is the point of focus where everything from half | + | |
- | that distance to infinity falls within the depth of field. This is the | + | |
- | largest depth of field possible for the current f-number. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | ==== DOF Near ==== | + | |
- | + | ||
- | The nearest distance in which objects appear in focus. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | ==== DOF Far ==== | + | |
- | + | ||
- | The farthest distance in which objects appear in focus. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | ===== Display ===== | + | |
- | + | ||
- | Options for display - most of them are for LiveView. | + | |
- | + | ||
- | + | ||
- | ==== LV Digic peaking ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **OFF** | + | |
- | + | ||
- | **Slightly sharper** | + | |
- | + | ||
- | **Edge image** | + | |
- | + | ||
- | **Edge + chroma** | + | |
- | + | ||
- | + | ||
- | ==== LV contrast ==== | + | |
- | + | ||
- | Adjusts the contrast in LiveView. It doesn' | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Zero** | + | |
- | + | ||
- | **Very low** | + | |
- | + | ||
- | **Low** | + | |
- | + | ||
- | **Normal** | + | |
- | + | ||
- | **High** | + | |
- | + | ||
- | **Very high** | + | |
- | + | ||
- | **Auto** | + | |
- | + | ||
- | + | ||
- | ==== LV saturation ==== | + | |
- | + | ||
- | Adjusts the saturation in LiveView. It doesn' | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Grayscale (zero)** | + | |
- | + | ||
- | **Low** | + | |
- | + | ||
- | **Normal (no effect)** | + | |
- | + | ||
- | **High** | + | |
- | **Very high** | + | |
- | + | ||
- | **Boost on WB adjust** | + | |
- | + | ||
- | + | ||
- | ==== LV display gain ==== | + | |
- | + | ||
- | This feature increases the brightness in LiveView, making it usable in very | + | |
- | dark scenes (where Canon' | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **OFF** | + | |
- | + | ||
- | **1-6 EV** | + | |
- | + | ||
- | Combine this with FPS override for better low-light performance in photo mode. | + | |
- | For movie mode, use ML digital ISOs for a similar effect. | + | |
- | + | ||
- | + | ||
- | ==== Color Scheme ==== | + | |
- | + | ||
- | This affects the colors and brightness of the on-screen information including LiveView overlays, Canon menus and ML menus. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | Range from: Bright (default), Dark, Bright Gray, Dark Gray, Dark Red. Tip: | + | |
- | dark themes may reduce the eye strain during night shooting. | + | |
- | + | ||
- | + | ||
- | ==== Clear Overlays ==== | + | |
- | + | ||
- | Clear bitmap overlays from LiveView display. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **OFF** | + | |
- | + | ||
- | **HalfShutter** | + | |
- | Hold the shutter half-pressed, | + | |
- | around 1 second to clear all the overlays from the Live View display | + | |
- | (audio, zebra, crops, shutter speeds…).Tip: | + | |
- | (from Custom Functions, set Shutter/AE lock button = AE lock/AF). | + | |
- | **WhenIdle** | + | |
- | In this mode, all the overlays are erased from the screen (100% clean | + | |
- | display) when the camera is idle (i.e. you don't press any buttons). | + | |
- | **Always** | + | |
- | In this mode, all the overlays are erased from the screen; you will | + | |
- | have to change shooting settings blindly. You can still use the | + | |
- | menus.Tip: this feature may be useful with External Recorders, since it | + | |
- | removes the focus box and other graphics from the display. | + | |
- | **Recording** | + | |
- | + | ||
- | + | ||
- | ==== Defishing ==== | + | |
- | + | ||
- | Correct wide angle lens distortion. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **OFF** | + | |
- | + | ||
- | **Rectilinear** | + | |
- | + | ||
- | **Panini** | + | |
- | + | ||
- | + | ||
- | ==== Anamorphic ==== | + | |
- | + | ||
- | Adjust display for anamorphic lenses. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **OFF** | + | |
- | + | ||
- | **5:4** | + | |
- | + | ||
- | **4:3** | + | |
- | + | ||
- | **7:5** | + | |
- | + | ||
- | **3:2** | + | |
- | + | ||
- | **5:3** | + | |
- | + | ||
- | **2:1** | + | |
- | + | ||
- | + | ||
- | ==== Advanced settings ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Screen Layout** Choose screen layout (position of ML top and bottom bars), for different cameras or for external monitors. | + | |
- | Top/bottom layouts: | + | |
- | Inside 3:2: default layout for 3:2-screen cameras (550D and newer). | + | |
- | Inside 16:10: for 16:10 HDMI monitors. | + | |
- | Inside 16:9: for 16:9 HDMI monitors. | + | |
- | 4:3 movie (for 5D Mark II, 500D and 50D in movie mode). | + | |
- | Bottom-only layouts: | + | |
- | Under 3:2: useful for 4:3-screen cameras (500D, 50D, 5D Mark 2) in photo mode. | + | |
- | Under 16:9: suitable for low-resolution external monitors and for 4:3-screen cameras in movie mode. | + | |
- | **Color scheme** | + | |
- | + | ||
- | **Image position** | + | |
- | This may make the image better visible from different angles | + | |
- | (especially on cameras without flip-out screen). Auto Mirroring For | + | |
- | cameras with flip-out LCD, this options prevents mirroring the display | + | |
- | when you open it at 180 degrees. Display: Normal/ | + | |
- | cameras with flip-out LCD, you may select a different flipping/ | + | |
- | option. | + | |
- | **UpsideDown mode** This mode is useful if you want to mount your camera upside-down. | + | |
- | **LV crazy colors** | + | |
- | + | ||
- | **Force HDMI-VGA** | + | |
- | This option will force a low-resolution mode on HDMI displays | + | |
- | (720×480), which avoids black screen when you start/stop recording. | + | |
- | + | ||
- | + | ||
- | ==== Focus box (LV) ==== | + | |
- | + | ||
- | With this setting you can choose to show the Focus box in liveview or hide it when not needed. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | ==== Level Indicator (60D) ==== | + | |
- | + | ||
- | Shows if the picture levels with the horizon. Can be used while recording. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | ==== Kill Canon GUI ==== | + | |
- | + | ||
- | For 50D only: disable Canon graphics elements to avoid conflicts with ML graphics in LiveView. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | Idle/Menus: only enable Canon graphics when some transparent menu from LiveView is active. | + | |
- | Idle/ | + | |
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | ===== Prefs ===== | + | |
- | + | ||
- | ==== Config files ==== | + | |
- | + | ||
- | Magic Lantern saves its settings in a configuration file named MAGIC.CFG, | + | |
- | located under ML/SETTINGS directory on your card. This submenu lets you | + | |
- | customize how these settings are saved. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Config preset** Create different presets of menu configurations. | + | |
- | + | ||
- | **Config Autosave** | + | |
- | Saves settings automatically to magic.cfg whenever you change a setting | + | |
- | in ML menu. Config saving process will take place as soon as you close | + | |
- | the menu. | + | |
- | + | ||
- | **Save config now** Save ML settings to ML/ | + | |
- | + | ||
- | **Restore ML defaults** use this to restore ML default settings. After deleting the config file, restart the camera. | + | |
- | + | ||
- | + | ||
- | ==== Image review settings ==== | + | |
- | + | ||
- | Customize the image review (playback) mode. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Play mode actions** When you hold SET pressed and turn the main dial (scrollwheel), | + | |
- | * Play 422: display silent pictures from DCIM/ | + | |
- | * Exposure Fusion: combine two or more images, useful for previewing HDR images or multiple exposures. | + | |
- | * Compare Images: compare two images with a diagonal split view. The current image will always end up in the top half. | + | |
- | * Timelapse Play: scroll through all your pictures quickly. | + | |
- | + | ||
- | **Image Review** | + | |
- | * QuickReview default: just like in standard firmware. | + | |
- | * Canon Mnu: | + | |
- | + | ||
- | **Quick Zoom** Faster zoom in PLAY mode, for checking critical focus: | + | |
- | * OFF | + | |
- | * ON - zooms faster than Canon firmware. | + | |
- | * SinglePress ? 100%: a single press of Zoom In will zoom all the way in (to 100%) - on center point. Next press will zoom out (full screen image). | + | |
- | * Full zoom on AF point: similar, but it will zoom on currently selected autofocus point. | + | |
- | * Full zoom on last position: similar, but it will remember the last position of the zoom box. | + | |
- | + | ||
- | **LV button** Customize the LiveView button in PLAY mode: | + | |
- | * Default (enter LiveView) | + | |
- | * Protect image | + | |
- | + | ||
- | **Quick Erase** Shortcut for erasing images without confirmation (hold SET and press ERASE). Be careful! | + | |
- | + | ||
- | + | ||
- | ==== LiveView zoom tweaks ==== | + | |
- | + | ||
- | Customise zoom features. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Zoom x5** Disable Zoom function. | + | |
- | + | ||
- | **Zoom x10** Disable Zoom function. | + | |
- | + | ||
- | **Auto exposure on Zoom** Auto adjusts exposure so you can focus manually wide open. | + | |
- | + | ||
- | **Increase SharpContrast** Increase sharpness and contrast when you zoom in LiveView. | + | |
- | + | ||
- | **Zoom on HalfShutter** Enable zoom when you hold he shutter halfway pressed. | + | |
- | + | ||
- | **Zoom with Focus Ring** Zoom when you turn the focus ring on some Canon lenses. | + | |
- | + | ||
- | + | ||
- | ==== Focus box settings ==== | + | |
- | + | ||
- | Determine the behaviour of the focus box. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Speed** Allows you to move the focus box quicker. | + | |
- | + | ||
- | **Snap points** Pick points of your image to snap the box to. | + | |
- | + | ||
- | **Display** Show or Auto-Hide. | + | |
- | + | ||
- | + | ||
- | ==== Arrow/SET shortcuts ==== | + | |
- | + | ||
- | Select the features you want to adjust quickly with arrow and SET keys. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Audio Gain** | + | |
- | * LEFT/RIGHT: input gain | + | |
- | * UP/DOWN: output gain | + | |
- | * SET: input | + | |
- | **ISO/ | + | |
- | * LEFT/RIGHT: ISO | + | |
- | * UP/DOWN: white balance | + | |
- | * SET: PushWB | + | |
- | **Shutter/ | + | |
- | * LEFT/RIGHT: shutter | + | |
- | * UP/DOWN: aperture | + | |
- | * SET: 180d shutter | + | |
- | **LCD Bright/ | + | |
- | * LEFT/RIGHT: LCD bright | + | |
- | * UP/DOWN: LCD saturation | + | |
- | * SET: reset | + | |
- | + | ||
- | **Use SET button** Enable functions for SET when you use arrow keys: | + | |
- | * Audio input (internal mic, external mic, balanced…) | + | |
- | * Push-button white balance | + | |
- | * 180-degree shutter speed | + | |
- | * Reset LCD brightness to 5 and saturation to Normal. | + | |
- | ==== Misc key settings ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Sticky DOF Preview** | + | |
- | Makes the DOF preview button sticky (press to toggle). Enabling DOF | + | |
- | preview will block certain buttons. Enable Exposure Override to preview | + | |
- | DOF without blocking the buttons. | + | |
- | + | ||
- | **Sticky HalfShutter** | + | |
- | Makes the half-shutter button sticky (press to toggle). Use this to | + | |
- | prevent the camera from turning off LiveView after 30 minutes. | + | |
- | + | ||
- | LCD Sensor Shortcuts | + | |
- | Use the LCD face sensor as an extra key in ML (e.g. for triggering arrow | + | |
- | keys, for blocking follow focus or for bypassing magic zoom key). | + | |
- | To fully disable the LCD sensor in Magic Lantern, disable LCD auto off | + | |
- | from Canon menu (Wrench 1). You need to do this if you are using a | + | |
- | device which covers the LCD sensor (e.g. a loupe). | + | |
- | + | ||
- | Swap MENU & | + | |
- | Swaps MENU and ERASE buttons. This feature allows one-handed navigation in ML | + | |
- | menu on 60D, but will have to use MENU button to delete the pictures. | + | |
- | DigitalZoom Shortcut (600D) | + | |
- | On 600D/T3i, this lets you customize the behavior of DISP + Zoom In / Zoom Out shortcut key in movie mode: | + | |
- | 1x,3x : toggle between 1x and 3x digital zoom modes (FullHD) | + | |
- | 3x 10x: default Canon setting (change digital zoom value between 3x and 10x). | + | |
- | Note: by default, Magic Lantern disables digital zoom values greater than 3x in order to avoid image quality degradation. | + | |
- | + | ||
- | + | ||
- | ==== Warning for bad settings ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Mode warning** Warn if you turn the dial to another position. | + | |
- | + | ||
- | **Quality warning** Warn if you change the picture quality. | + | |
- | + | ||
- | **ALO warning** Warn if you enable ALO by mistake. | + | |
- | + | ||
- | **WB warning** Warn if you disable AWB by mistake. | + | |
- | + | ||
- | + | ||
- | ==== Powersave in LiveView ==== | + | |
- | + | ||
- | Options for maximizing battery life when using LiveView. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Enable power saving** on Standby, during Recording, or always. | + | |
- | + | ||
- | **Use shortcut key** Shortcut key for enabling powersave modes right away. | + | |
- | + | ||
- | **Dim display** In LiveView, if the camera is idle, Magic Lantern will reduce the LCD backlight level to minimum in order to save power. | + | |
- | + | ||
- | **Turn off LCD** | + | |
- | This will turn off the display and the sensor activity in LiveView. | + | |
- | Mirror will not be moved. If the camera is recording or motion detection | + | |
- | is enabled, only the display will be | + | |
- | turned off (so recording will not stop). | + | |
- | + | ||
- | **Turn off GlobalDraw** If the camera is idle, ML overlay graphics will be disabled to reduce CPU usage. | + | |
- | + | ||
- | **Battery Level** Battery levels. Wait for 2% discharge before reading. | + | |
- | + | ||
- | Use LCD sensor: you can use it to wake up from powersave (wave your hand | + | |
- | near it), or to force powersave mode (cover the sensor for a few | + | |
- | seconds). | + | |
- | + | ||
- | + | ||
- | ==== LV Display Presets ==== | + | |
- | + | ||
- | This feature lets you use up to 4 display presets for the settings in the Overlay menu. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **OFF (1)** | + | |
- | + | ||
- | **2** | + | |
- | + | ||
- | **3** | + | |
- | + | ||
- | **4** | + | |
- | + | ||
- | This menu item sets the maximum number of available DISP presets. To disable | + | |
- | this feature, set the number of presets to 1. To change the current | + | |
- | display preset, press INFO/DISP in LiveView, or [Q] on the GlobalDraw | + | |
- | entry in the Overlay menu. On the top bar, you will see DISP 0, 1, 2 or | + | |
- | 3. Each of those is a preset for the settings in Overlay menu. So you | + | |
- | can, for example, configure DISP 1 with false colors, DISP 2 with zebras | + | |
- | and focus peaking, and DISP 3 with clear display. | + | |
- | + | ||
- | + | ||
- | ==== Lens Info Prefs ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Focus Distance Units** Choose between metric and imperial measurements for focal distance. | + | |
- | + | ||
- | + | ||
- | ==== Customize Menus ==== | + | |
- | + | ||
- | Hide features from the ML menus. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **On or Off** | + | |
- | + | ||
- | + | ||
- | ==== Auto BurstPicQuality ==== | + | |
- | + | ||
- | When enabled, it will temporarily reduce picture quality in burst mode in | + | |
- | order to maintain a decent frame rate even when the buffer becomes | + | |
- | almost full. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | This function will reduce picture quality if the buffer has space for less than 4 pictures: | + | |
- | * RAW+JPG ? JPG Large Fine ? JPG Medium Fine | + | |
- | * RAW ? JPG Large Fine ? JPG Medium Fine | + | |
- | * JPG Large Coarse ? JPG Medium CoarsePossible results (550D, Transcend Class 10, your mileage may vary): | + | |
- | * RAW+JPG, JPG-L, all others JPG-M | + | |
- | * RAW, RAW, all others JPG-M | + | |
- | + | ||
- | ==== Crop Factor Display ==== | + | |
- | + | ||
- | If enabled, ML bottom bar will display the 35mm equivalent focal length, including crop factor (1.6x). | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | For example, a 50mm lens at f1.8 will be displayed as: | + | |
- | * 50mm f/1.8 with this option disabled. | + | |
- | * 80eq f/1.8 with this option enabled. | + | |
- | + | ||
- | ==== Display hidden menus ==== | + | |
- | + | ||
- | To reduce menu clutter, Magic Lantern allows you to hide unused menu | + | |
- | items. Enable this to display the hidden items, so you can re-enable | + | |
- | them. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | ===== Modules ===== | + | |
- | + | ||
- | (http:// | + | |
- | + | ||
- | Modules are one of the great things about ML and they tend to just appear out | + | |
- | of nowhere (nowhere = years of programming skills). Forum member | + | |
- | Audionut put together a resource for compiling your own if you are upto | + | |
- | it: [[http:// | + | |
- | [[http:// | + | |
- | + | ||
- | The modules listed in this section are included in the nightly builds. For other modules see [[#Modules (other)]] | + | |
- | + | ||
- | ==== arkanoid.mo ==== | + | |
- | (http:// | + | |
- | + | ||
- | Now you can work on your paddle skills on the move. +1 for Tetris. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | [[https:// | + | |
- | + | ||
- | ==== autoexpo.mo ==== | + | |
- | (http:// | + | |
- | + | ||
- | Another Pravdomil gem that gives you automatic control of your exposure during a take. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | [[https:// | + | |
- | + | ||
- | ==== deflick.mo ==== | + | |
- | (http:// | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Sidecar file type** | + | |
- | + | ||
- | **Deflicker percentile** | + | |
- | + | ||
- | **Deflicker target level** | + | |
- | + | ||
- | [[https:// | + | |
- | + | ||
- | ==== dot_tune.mo ==== | + | |
- | (http:// | + | |
- | + | ||
- | DotTune AFMA. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Start Scan** | + | |
- | + | ||
- | **Scan type** | + | |
- | + | ||
- | **Scan passes** | + | |
- | + | ||
- | **AF microadjust** | + | |
- | + | ||
- | **AFMA mode** | + | |
- | + | ||
- | [[https:// | + | |
- | + | ||
- | ==== dual_iso.mo ==== | + | |
- | (http:// | + | |
- | + | ||
- | Dual ISO - massive dynamic range improvement. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Recovery ISO** | + | |
- | + | ||
- | **Dynamic range gained** | + | |
- | + | ||
- | **Midtone overlapping** | + | |
- | + | ||
- | **Alternate frames only** | + | |
- | + | ||
- | **Custom file prefix** | + | |
- | + | ||
- | [[https:// | + | |
- | + | ||
- | ==== ettr.mo ==== | + | |
- | (http:// | + | |
- | + | ||
- | Auto ETTR based on RAW histogram. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Trigger mode** | + | |
- | + | ||
- | **Slowest shutter** | + | |
- | + | ||
- | **Exposure target** | + | |
- | + | ||
- | **Highlight ignore** | + | |
- | + | ||
- | **Allow clipping** | + | |
- | + | ||
- | **Midtone SNR limit** | + | |
- | + | ||
- | **Shadow SNR limit** | + | |
- | + | ||
- | **Link to Canon shutter** | + | |
- | + | ||
- | **Link to Dual ISO** | + | |
- | + | ||
- | **Show metered areas** | + | |
- | + | ||
- | **Show debug info** | + | |
- | + | ||
- | [[http:// | + | |
- | + | ||
- | [[http:// | + | |
- | + | ||
- | [[http:// | + | |
- | + | ||
- | [[http:// | + | |
- | + | ||
- | [[http:// | + | |
- | + | ||
- | [[https:// | + | |
- | + | ||
- | ==== file_man.mo ==== | + | |
- | (http:// | + | |
- | + | ||
- | Port CHDK file browser. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | [[https:// | + | |
- | + | ||
- | ==== mlv_lite.mo ==== | + | |
- | (https:// | + | |
- | + | ||
- | Magic Lantern (RAW) Video format v1.1. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | Raw video has come a long way in a year [[http:// | + | |
- | + | ||
- | [[https:// | + | |
- | + | ||
- | ==== mlv_play.mo ==== | + | |
- | (http:// | + | |
- | + | ||
- | MLV PLAY. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | [[https:// | + | |
- | + | ||
- | ==== mlv_rec.mo ==== | + | |
- | (http:// | + | |
- | + | ||
- | Magic Lantern (RAW) Video format v2.0. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Resolution** 640 to 3584. Width of captured image in pixels. 5D2 tops out at 1856. | + | |
- | + | ||
- | **Aspect Ratio** 5:1 to 1:2. Height of captured image. | + | |
- | + | ||
- | **Create directory** ON or OFF. Saves video chunks in separate folders. | + | |
- | + | ||
- | **Global Draw** ON or OFF. Disables GD while recording, though some previews require it. | + | |
- | + | ||
- | **Frame skipping** ON or OFF. Stops recording if you drop a frame. | + | |
- | + | ||
- | **Preview** Auto, Canon, ML Grayscale, HaCKeD & Hacked No Prev. | + | |
- | + | ||
- | **Status when recording** Icon, None & Debug. | + | |
- | + | ||
- | **Start delay** 2, 4 & 10 second delay, useful for stabilizing. | + | |
- | + | ||
- | **Digital dolly** Pan your frame in camera digitally. | + | |
- | + | ||
- | **Card warm-up** Some cards perform better after warming up. | + | |
- | + | ||
- | **Extra Hacks** Small tweaks to maximise writing speed. | + | |
- | + | ||
- | **Fix black level** Forces the black level to 2048 to combat green shadows. | + | |
- | + | ||
- | **Debug trace** Writes an execution trace to your card and causes performance dips. | + | |
- | + | ||
- | **Show buffer graph** Shows current buffer usage and expected frames. | + | |
- | + | ||
- | **Buffer fill method** Select your method for filling buffers. | + | |
- | + | ||
- | **Reserve card space** Reserves a chunk of space before recording to write over if you fill the card during a take. | + | |
- | + | ||
- | **Tag: Text** Custom filenames. | + | |
- | + | ||
- | **Tag: Take** | + | |
- | + | ||
- | [[https:// | + | |
- | + | ||
- | ==== mlv_snd.mo ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | [[https:// | + | |
- | + | ||
- | ==== pic_view.mo ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | [[https:// | + | |
- | + | ||
- | ==== silent.mo ==== | + | |
- | (http:// | + | |
- | + | ||
- | 14bit RAW DNG silent pics! | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Silent Mode** | + | |
- | + | ||
- | **Slit-Scan Mode** | + | |
- | + | ||
- | + | ||
- | [[https:// | + | |
- | + | ||
- | ==== Modules by developers/ | + | |
- | + | ||
- | === adv_int.mo === | + | |
- | (http:// | + | |
- | + | ||
- | Intervalometer Ramping Module. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | === astro.mo === | + | |
- | (http:// | + | |
- | + | ||
- | Astrophotography module, offers star focusing help, azimuth polar alignment and a dark red theme | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | === auto_iso.mo === | + | |
- | (http:// | + | |
- | + | ||
- | Auto ISO with some tweaks to it's functionality, | + | |
- | Not currently available. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | === bolt_rec.mo === | + | |
- | (http:// | + | |
- | + | ||
- | Bolt trigger module test results. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | === foc_inf.mo === | + | |
- | (http:// | + | |
- | + | ||
- | Focus Infinity Module. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | === gps.mo === | + | |
- | (http:// | + | |
- | + | ||
- | GPS information from your camera, 6D only right now. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | === ime_base.mo ime_rot.mo ime_std.mo === | + | |
- | (http:// | + | |
- | + | ||
- | IME (Text Input) System - first version. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | === io_crypt.mo === | + | |
- | (http:// | + | |
- | + | ||
- | io_crypt is a module which automatically encrypts .CR2 and .JPG while you shoot them. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | === sen_cle.mo === | + | |
- | (http:// | + | |
- | + | ||
- | Sensor cleaning module. | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | + | ||
- | ===== Debug ===== | + | |
- | + | ||
- | Functions for troubleshooting, | + | |
- | + | ||
- | + | ||
- | ==== Modules debug ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Disable all modules** | + | |
- | + | ||
- | **Load modules after crash** | + | |
- | + | ||
- | **Show console** | + | |
- | + | ||
- | + | ||
- | ==== File Manager ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | Allows you to browse your storage medium. | + | |
- | + | ||
- | + | ||
- | ==== Screenshot (10 s) ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | Print screen after 10 seconds. This option saves a BMP file for the overlays | + | |
- | and a 422 file (silent picture) for the LiveView image. The BMP does not | + | |
- | contain transparency data. You can combine the two files in GIMP or | + | |
- | other image editing programs. The card LED will blink every second, | + | |
- | until the screenshot is taken. | + | |
- | + | ||
- | + | ||
- | ==== Menu screenshots ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | Create screenshots of all main menus at once. | + | |
- | + | ||
- | + | ||
- | ==== Dump ROM and RAM ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | ==== Don't click me! ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | Don't click it :) | + | |
- | + | ||
- | + | ||
- | ==== Burn-in tests ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Stubs API test** | + | |
- | + | ||
- | **Quick test** | + | |
- | + | ||
- | **Random tests** | + | |
- | + | ||
- | **Menu backend** | + | |
- | + | ||
- | **Redraw test** | + | |
- | + | ||
- | **Rectangle test** | + | |
- | + | ||
- | This option runs various tests to make sure Magic Lantern is stable and will | + | |
- | not crash. You can use it to test your particular configuration. If it | + | |
- | crashes, report an issue. | + | |
- | + | ||
- | + | ||
- | ==== Benchmarks ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **Card R/W benchmark (5 min)** | + | |
- | + | ||
- | **Card buffer benchmark (inf)** | + | |
- | + | ||
- | **Memory benchmark (1 min)** | + | |
- | + | ||
- | **Focus peaking benchmark (30s)** | + | |
- | + | ||
- | + | ||
- | ==== Show tasks ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | Displays the tasks started by Canon and Magic Lantern. | + | |
- | + | ||
- | + | ||
- | ==== Show CPU usage ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **OFF** | + | |
- | + | ||
- | **Percentage** | + | |
- | + | ||
- | **Busy tasks (ABS)** | + | |
- | + | ||
- | **Busy tasks (REL)** | + | |
- | + | ||
- | + | ||
- | ==== Save CPU usage log ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | Saves a log with the CPU usage for all tasks. | + | |
- | + | ||
- | + | ||
- | ==== Show GUI evts ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | **OFF** | + | |
- | + | ||
- | **ON** | + | |
- | + | ||
- | **ON - delay 300ms** | + | |
- | + | ||
- | + | ||
- | ==== Show EDMAC ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | ==== Free Memory ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | Displays the amount of available RAM. | + | |
- | + | ||
- | + | ||
- | ==== Image buffers ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + | ||
- | ==== Shutter Count ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | Displays the number of shutter actuations. | + | |
- | + | ||
- | + | ||
- | ==== Internal Temp ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | Displays the internal CMOS temperature, | + | |
- | + | ||
- | + | ||
- | ==== Battery level ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | 60D and 5D Mark II only: displays battery percentage, estimated time remaining and battery discharging rate. | + | |
- | For accurate readings, wait until the percentage indicator decreases by at least 2% since powering on. | + | |
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | + | ||
- | ===== Help ===== | + | |
- | + | ||
- | In-camera help section. | + | |
- | + | ||
- | + | ||
- | ==== Press INFO ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | ==== PICT.Style ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | ==== LongJoystick ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | ==== SET/PLAY ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | ==== Zoomin ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | ==== Press MENU ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | ==== Press PicStyle ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | ==== Key Shortcuts ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | ==== Complete user guide ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | ==== About Magic Lantern ==== | + | |
- | + | ||
- | __Submenu options: | + | |
- | + | ||
- | + |
playground/camera_help.1527184532.txt.gz · Last modified: 2018/05/24 19:55 by Erik Krause