camera_help_cc
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> Special task: HDR section! If you have experience with HDR workflow, preferable with Open-Source tools (but not restricted to), any input would be appreciated!\\ | > Special task: HDR section! If you have experience with HDR workflow, preferable with Open-Source tools (but not restricted to), any input would be appreciated!\\ | ||
>And what is the difference between Luma and Luma Fast? | >And what is the difference between Luma and Luma Fast? | ||
+ | |||
+ | ====== Audio ====== | ||
+ | |||
+ | > Complete (18.02.2019). No pics for plugs, etc. here, because it's in-camera help and drawings for soldering doesn' | ||
+ | |||
+ | > And if Audio screen isn't visible this help text won't be able to tell users why. That's one reason I opted for this screen to be visible at all times. | ||
+ | |||
+ | Manual audio controls.\\ If you do not see this screen check these conditions: | ||
+ | * 50D: Nope, no way to make it happen! 50D doesn' | ||
+ | * Your cam may have restricted audio menu after loading module MLV_SND.mo: | ||
+ | |||
+ | The options available differ a lot depending on your camera type.\\ Please check [[https:// | ||
+ | |||
+ | |||
+ | ===== Analog Gain ===== | ||
+ | |||
+ | Gain applied to both inputs in the analog domain. Default is on and 23 dB. | ||
+ | |||
+ | //Values:// | ||
+ | |||
+ | **0**-32 **dB** (values: 0, 10, 17-32 in 3 dB steps) | ||
+ | |||
+ | Analog does a great job of boosting the signal while retaining a low noise | ||
+ | floor and hence, [[http:// | ||
+ | external preamp, set this parameter as low as possible otherwise, set it | ||
+ | as high as possible without [[http:// | ||
+ | should be green). | ||
+ | |||
+ | |||
+ | ===== Digital Gain ===== | ||
+ | |||
+ | In-camera digital gain. Default is 0, 0, OFF | ||
+ | |||
+ | //Submenu options:// | ||
+ | |||
+ | ==== Left Digital Gain ==== | ||
+ | 0 to 36 dB | ||
+ | |||
+ | ==== Right Digital Gain ==== | ||
+ | 0 to 36 dB | ||
+ | |||
+ | ==== AGC ==== | ||
+ | **OFF**/ON | ||
+ | |||
+ | Applying digital gain in-camera is not recommended as any non-zero value reduces | ||
+ | audio quality and you can achieve the same effect with more control in | ||
+ | post, but it can serve as an evaluative tool on set. You can apply | ||
+ | digital gain in 6dB increments to the left and right channel | ||
+ | independently. AGC is auto mode and is applied only in digital domain. | ||
+ | It overrides digital gains, but you can still adjust analog gain. | ||
+ | |||
+ | |||
+ | ===== Input source ===== | ||
+ | |||
+ | Mic configurations. | ||
+ | |||
+ | //Values:// | ||
+ | |||
+ | **Internal mic** your camera' | ||
+ | |||
+ | **L:int R:ext** | ||
+ | |||
+ | **External stereo** | ||
+ | |||
+ | **L:int R: | ||
+ | |||
+ | **Auto int/ext** camera detects if a mic is plugged in. Int is dual mono, ext is stereo. | ||
+ | |||
+ | Balanced audio allows for very long cable runs without interference. Usually | ||
+ | balanced mics have three pin XLR connectors and it is very easy to put | ||
+ | together an XLR to Canon mic input cable. Balanced allows us to use such | ||
+ | pro mics with our little Canons and this is a very welcome surprise for | ||
+ | audio guys. You can feed an [[http:// | ||
+ | camera giving you the option of using higher quality mics, although this | ||
+ | is not [[http:// | ||
+ | |||
+ | |||
+ | ===== Wind Filter ===== | ||
+ | |||
+ | Digital high-pass filter. | ||
+ | |||
+ | //Values:// | ||
+ | |||
+ | **On or Off** | ||
+ | |||
+ | Canon' | ||
+ | the wind filter has been known to mute external mics, so if you're | ||
+ | having that problem on an earlier build turn it off. [[http:// | ||
+ | Also see [[http:// | ||
+ | |||
+ | |||
+ | ===== Mic Power ===== | ||
+ | |||
+ | Power for mics. | ||
+ | |||
+ | //Values:// | ||
+ | |||
+ | **ON** input impedance is 2 kOhm. | ||
+ | |||
+ | **OFF** input impedance is 30 kOhm. | ||
+ | |||
+ | Required for internal mic and certain types of external mics, but it reduces | ||
+ | input impedance. This setting is always ON when input source is either | ||
+ | internal mic or L:int R:ext. See[[http:// | ||
+ | power control thread. [[http:// | ||
+ | |||
+ | |||
+ | ===== Headphone Mon. ===== | ||
+ | |||
+ | Audio monitoring with headphones, using the A/V cable. | ||
+ | |||
+ | //Values:// | ||
+ | |||
+ | **On or Off** | ||
+ | |||
+ | To use audio monitoring, you need a special cable: your Canon A/V cable | ||
+ | with a RCA - 3.5mm jack adapter a dedicated cable from Sescom or you may | ||
+ | solder it yourself (you will have to cut your A/V cable). Mobile phone | ||
+ | cables will not work; even if the connector looks similar, it's not | ||
+ | identical. You must use the original cable which came with your camera. | ||
+ | For details, see Audio monitoring HOWTO on Vimeo group. Disable this | ||
+ | setting if you are using a SD monitor. This feature is not available on | ||
+ | 600D/T3i. | ||
+ | |||
+ | Tip: Before cuting/ | ||
+ | |||
+ | ===== Headphone volume ===== | ||
+ | |||
+ | Digital output gain for audio monitoring. | ||
+ | |||
+ | //Values:// | ||
+ | |||
+ | **0-6 dB** in 2 dB increments. | ||
+ | |||
+ | It does not have any effect on the internal camera speaker. For best | ||
+ | results, you should a pair of low impedance headphones, for example | ||
+ | Audio Technica ATH-M50 (38 ohms). With high-impedance headphones, you | ||
+ | may have to use a headphone amplifier like FiiO E5. | ||
+ | |||
+ | |||
+ | ===== Audio Meters ===== | ||
+ | |||
+ | Display the input audio level. | ||
+ | |||
+ | //Values:// | ||
+ | |||
+ | From -40dB to 0dB, meters become yellow at -12 dB and red at -3 dB. Audio meters are only displayed in movie mode. | ||
+ | |||
+ | |||
+ | ===== Speaker Volume ===== | ||
+ | |||
+ | In-camera speaker. | ||
+ | |||
+ | //Values:// | ||
+ | |||
+ | **1 to 5** | ||
+ | |||
+ | |||
+ | ===== Beep, test tones ===== | ||
+ | |||
+ | Customize camera sounds. | ||
+ | |||
+ | //Submenu options:// | ||
+ | |||
+ | ==== Enable Beeps ==== | ||
+ | ML uses beep tones for several events. Turn them off if you have to go silent. | ||
+ | |||
+ | ==== Tone Waveform ==== | ||
+ | Sine tones of lower frequency might be not audible on the internal speaker. Use square. Always check with Test beep sound. | ||
+ | |||
+ | ==== Tone Frequency ==== | ||
+ | Default is 1 kHz. Range from 55 Hz (A1) to 12 kHz. Human ears are considered to be most sensitive between 2 and 5 kHz. | ||
+ | |||
+ | ==== Play test tone ==== | ||
+ | |||
+ | ==== Test beep sound ==== | ||
+ | |||
+ | |||
+ | ===== MLV Sound ====== | ||
+ | |||
+ | Only available when the [[# | ||
+ | [[# | ||
+ | |||
+ | //Submenu options:// | ||
+ | |||
+ | ==== Sampling rate ==== | ||
+ | 8 - 48kHz the basic quality of your audio, the higher the better. | ||
+ | |||
+ | ==== Trace output ==== | ||
+ | ON or OFF | ||
+ | |||
+ | When MLV Sound is ON, a separate WAV file is generated at the framerate | ||
+ | determined by your FPS setting in Canon Menu. When FPS Override is used, | ||
+ | only the framerate of raw video is affected, the WAV file will remain | ||
+ | either 24fps or 30fps depending on the FPS setting in canon menu. It is | ||
+ | not possible to playback mlv sound in-camera. | ||
+ | |||
+ | |||
camera_help_cc.1610308117.txt.gz · Last modified: 2021/01/10 20:48 by Walter Schulz