camera_help_cc
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camera_help_cc [2020/12/24 06:28] – [Image review settings] Walter Schulz | camera_help_cc [2021/01/10 20:50] – Walter Schulz | ||
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>And what is the difference between Luma and Luma Fast? | >And what is the difference between Luma and Luma Fast? | ||
- | + | {{page>camera_help_cc:audio& | |
- | ====== Audio ====== | + | |
- | + | ||
- | > Complete (18.02.2019). No pics for plugs, etc. here, because it's in-camera help and drawings for soldering doesn' | + | |
- | + | ||
- | > And if Audio screen isn't visible this help text won't be able to tell users why. That's one reason I opted for this screen to be visible at all times. | + | |
- | + | ||
- | Manual audio controls.\\ If you do not see this screen check these conditions: | + | |
- | * 50D: Nope, no way to make it happen! 50D doesn' | + | |
- | * Your cam may have restricted audio menu after loading module MLV_SND.mo: | + | |
- | + | ||
- | The options available differ a lot depending on your camera type.\\ Please check [[https:// | + | |
- | + | ||
- | + | ||
- | ===== Analog Gain ===== | + | |
- | + | ||
- | Gain applied to both inputs in the analog domain. Default is on and 23 dB. | + | |
- | + | ||
- | // | + | |
- | + | ||
- | **0**-32 **dB** (values: 0, 10, 17-32 in 3 dB steps) | + | |
- | + | ||
- | Analog does a great job of boosting the signal while retaining a low noise | + | |
- | floor and hence, [[http:// | + | |
- | external preamp, set this parameter as low as possible otherwise, set it | + | |
- | as high as possible without [[http:// | + | |
- | should be green). | + | |
- | + | ||
- | + | ||
- | ===== Digital Gain ===== | + | |
- | + | ||
- | In-camera digital gain. Default is 0, 0, OFF | + | |
- | + | ||
- | //Submenu options:// | + | |
- | + | ||
- | ==== Left Digital Gain ==== | + | |
- | 0 to 36 dB | + | |
- | + | ||
- | ==== Right Digital Gain ==== | + | |
- | 0 to 36 dB | + | |
- | + | ||
- | ==== AGC ==== | + | |
- | **OFF**/ | + | |
- | + | ||
- | Applying digital gain in-camera is not recommended as any non-zero value reduces | + | |
- | audio quality and you can achieve the same effect with more control in | + | |
- | post, but it can serve as an evaluative tool on set. You can apply | + | |
- | digital gain in 6dB increments to the left and right channel | + | |
- | independently. AGC is auto mode and is applied only in digital domain. | + | |
- | It overrides digital gains, but you can still adjust analog gain. | + | |
- | + | ||
- | + | ||
- | ===== Input source ===== | + | |
- | + | ||
- | Mic configurations. | + | |
- | + | ||
- | // | + | |
- | + | ||
- | **Internal mic** your camera' | + | |
- | + | ||
- | **L:int R:ext** | + | |
- | + | ||
- | **External stereo** | + | |
- | + | ||
- | **L:int R: | + | |
- | + | ||
- | **Auto int/ext** camera detects if a mic is plugged in. Int is dual mono, ext is stereo. | + | |
- | + | ||
- | Balanced audio allows for very long cable runs without interference. Usually | + | |
- | balanced mics have three pin XLR connectors and it is very easy to put | + | |
- | together an XLR to Canon mic input cable. Balanced allows us to use such | + | |
- | pro mics with our little Canons and this is a very welcome surprise for | + | |
- | audio guys. You can feed an [[http:// | + | |
- | camera giving you the option of using higher quality mics, although this | + | |
- | is not [[http:// | + | |
- | + | ||
- | + | ||
- | ===== Wind Filter ===== | + | |
- | + | ||
- | Digital high-pass filter. | + | |
- | + | ||
- | // | + | |
- | + | ||
- | **On or Off** | + | |
- | + | ||
- | Canon' | + | |
- | the wind filter has been known to mute external mics, so if you' | + | |
- | having that problem on an earlier build turn it off. [[http:// | + | |
- | Also see [[http:// | + | |
- | + | ||
- | + | ||
- | ===== Mic Power ===== | + | |
- | + | ||
- | Power for mics. | + | |
- | + | ||
- | // | + | |
- | + | ||
- | **ON** input impedance is 2 kOhm. | + | |
- | + | ||
- | **OFF** input impedance is 30 kOhm. | + | |
- | + | ||
- | Required for internal mic and certain types of external mics, but it reduces | + | |
- | input impedance. This setting is always ON when input source is either | + | |
- | internal mic or L:int R:ext. See[[http:// | + | |
- | power control thread. [[http:// | + | |
- | + | ||
- | + | ||
- | ===== Headphone Mon. ===== | + | |
- | + | ||
- | Audio monitoring with headphones, using the A/V cable. | + | |
- | + | ||
- | // | + | |
- | + | ||
- | **On or Off** | + | |
- | + | ||
- | To use audio monitoring, you need a special cable: your Canon A/V cable | + | |
- | with a RCA - 3.5mm jack adapter a dedicated cable from Sescom or you may | + | |
- | solder it yourself (you will have to cut your A/V cable). Mobile phone | + | |
- | cables will not work; even if the connector looks similar, it's not | + | |
- | identical. You must use the original cable which came with your camera. | + | |
- | For details, see Audio monitoring HOWTO on Vimeo group. Disable this | + | |
- | setting if you are using a SD monitor. This feature is not available on | + | |
- | 600D/T3i. | + | |
- | + | ||
- | Tip: Before cuting/ | + | |
- | + | ||
- | ===== Headphone volume ===== | + | |
- | + | ||
- | Digital output gain for audio monitoring. | + | |
- | + | ||
- | // | + | |
- | + | ||
- | **0-6 dB** in 2 dB increments. | + | |
- | + | ||
- | It does not have any effect on the internal camera speaker. For best | + | |
- | results, you should a pair of low impedance headphones, for example | + | |
- | Audio Technica ATH-M50 (38 ohms). With high-impedance headphones, you | + | |
- | may have to use a headphone amplifier like FiiO E5. | + | |
- | + | ||
- | + | ||
- | ===== Audio Meters ===== | + | |
- | + | ||
- | Display the input audio level. | + | |
- | + | ||
- | // | + | |
- | + | ||
- | From -40dB to 0dB, meters become yellow at -12 dB and red at -3 dB. Audio meters are only displayed in movie mode. | + | |
- | + | ||
- | + | ||
- | ===== Speaker Volume ===== | + | |
- | + | ||
- | In-camera speaker. | + | |
- | + | ||
- | // | + | |
- | + | ||
- | **1 to 5** | + | |
- | + | ||
- | + | ||
- | ===== Beep, test tones ===== | + | |
- | + | ||
- | Customize camera sounds. | + | |
- | + | ||
- | //Submenu options:// | + | |
- | + | ||
- | ==== Enable Beeps ==== | + | |
- | ML uses beep tones for several events. Turn them off if you have to go silent. | + | |
- | + | ||
- | ==== Tone Waveform ==== | + | |
- | Sine tones of lower frequency might be not audible on the internal speaker. Use square. Always check with Test beep sound. | + | |
- | + | ||
- | ==== Tone Frequency ==== | + | |
- | Default is 1 kHz. Range from 55 Hz (A1) to 12 kHz. Human ears are considered to be most sensitive between 2 and 5 kHz. | + | |
- | + | ||
- | ==== Play test tone ==== | + | |
- | + | ||
- | ==== Test beep sound ==== | + | |
- | + | ||
- | + | ||
- | ===== MLV Sound ====== | + | |
- | + | ||
- | Only available when the [[# | + | |
- | [[# | + | |
- | + | ||
- | //Submenu options:// | + | |
- | + | ||
- | ==== Sampling rate ==== | + | |
- | 8 - 48kHz the basic quality of your audio, the higher the better. | + | |
- | + | ||
- | ==== Trace output ==== | + | |
- | ON or OFF | + | |
- | + | ||
- | When MLV Sound is ON, a separate WAV file is generated at the framerate | + | |
- | determined by your FPS setting in Canon Menu. When FPS Override is used, | + | |
- | only the framerate of raw video is affected, the WAV file will remain | + | |
- | either 24fps or 30fps depending on the FPS setting in canon menu. It is | + | |
- | not possible to playback mlv sound in-camera. | + | |
- | + | ||
- | + | ||
====== Expo ====== | ====== Expo ====== | ||
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Blue-Amber white balance shift. 1 unit = 5 mireks on Kelvin axis, according to [[http:// | Blue-Amber white balance shift. 1 unit = 5 mireks on Kelvin axis, according to [[http:// | ||
- | > ==== Custom RGB multipliers: | + | >==== Custom RGB multipliers: |
> Fine-tune custom white balance. | > Fine-tune custom white balance. | ||
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* Fine details | * Fine details | ||
- | > ====Display type:==== | + | > |
> * Blinking dots | > * Blinking dots | ||
> * Fine dots | > * Fine dots | ||
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> incomplete | > incomplete | ||
- | > ====Absolute Zero Sharpness==== | + | > |
> Disables any kind of sharpening. | > Disables any kind of sharpening. | ||
- | > ====Edge Emphasis==== | + | > |
> Picks out edges in bright areas. | > Picks out edges in bright areas. | ||
- | > ====Noise Reduction==== | + | > |
> In camera noise reduction. | > In camera noise reduction. | ||
- | > ===== Creative Effects ===== (Obsolete?) | + | >===== Creative Effects ===== (Obsolete?) |
- | > Custom image effects found by investigating DIGIC registers. | + | >Custom image effects found by investigating DIGIC registers. |
> //Submenu options:// | > //Submenu options:// | ||
- | > ====Desaturate==== | + | > |
> lets you record grayscale with any picture style. | > lets you record grayscale with any picture style. | ||
- | > ====Negative image==== | + | > |
> Inverts your luma values | > Inverts your luma values | ||
- | > ====Swap U-V==== | + | > |
> Red becomes blue. | > Red becomes blue. | ||
- | > ====Cartoon look==== | + | > |
> for this to work, set sharpness in your picture style to any nonzero value. | > for this to work, set sharpness in your picture style to any nonzero value. | ||
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//Submenu options:// | //Submenu options:// | ||
- | | + | === Enabled === |
OFF, ON | OFF, ON | ||
- | | + | === Use Global Time === |
OFF, ON | OFF, ON | ||
- | | + | === Loop After === |
OFF, 1 - 5000 | OFF, 1 - 5000 | ||
- | | + | === External Source === |
OFF, ON | OFF, ON | ||
- | | + | === List Keyframes === |
- | ===Save Keyframes === | + | ===Save Keyframes === |
- | ===Clear Keyfames === | + | ===Clear Keyfames === |
- | === New Keyframe === | + | === New Keyframe === |
Line 2425: | Line 2227: | ||
//Submenu options:// | //Submenu options:// | ||
- | ====Play mode actions==== When you press associated " | + | ====Play mode actions==== |
+ | When you press associated " | ||
//Submenu options:// | //Submenu options:// |
camera_help_cc.txt · Last modified: 2021/01/10 20:54 by Walter Schulz